 The Ballet Rehearsal, by Edgar Degas (France) 1873. The Accompanist I adjust the violin at my chin, stare down at the bridge. In thick-soled boots, frock coat, I play gigues, sarabandes while bleak northern light floods in from the Place des Vosges. The faces of the Corps de Ballet are in shadow. They exercise, distracted not by my music, so much as by the prospect of Monsieur Louverture, who will burst through the door at any moment like a mistral. Will he be irritable? Forgiving? What do they anticipate, my cygnets? Odette, dark hair held back from her face with a ribbon, tenses her jaw. Odile, at the window, unbearably fair, jealous of Odette, stretches, sighs. Nearby, Fleur whispers advice to Rosette. These sylphs, lips pursed, are like water lilies, tethered by hope, dread. The foreground, vacant, bristles with peril. Mike Ross Mike Ross is a poet and teacher. His book of poems, Small Engine Repair, was published in 2015.
2 Comments
2/8/2019 03:38:58 pm
Thank you, Mike Ross. I'm a Francophile, and stayed by the Place des Vosges on one of my visits to Paris. You put me back there and made Degas's painting come alive.
Kathy Nelson
2/25/2019 04:23:29 pm
Lovely poem, Mike. Leave a Reply. |
The Ekphrastic Review
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November 2021
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