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Camellia Morris: Ekphrastic Writing Responses, Curated by Kate Copeland

11/14/2025

0 Comments

 
Picture
Impulse, by Camellia Morris (Australia) 2017-2018
Picture
Intuition, by Camellia Morris (Australia) 2017-2018

Pooling Resources

Accustomed, coast our weekly width,
until the unexpected falls;
some sudden dive, slap bellyflop,
or foreign body floating by -
watery grave as just passed, died -
but otherwise, routine applies.

Slow crawl, then breast, now butterfly,
they’re making waves for those sedate;
this aqua pool marine in tone,
sees shallow wading through resist
in complementary mix of styles,
both impulse, intuition drives.

It being of the blood as pulse -
some stimulus gives impetus
and quickened spirit finds release;
but intuition’s measured, more,
an instinct, deeply rooted, core,
heartfelt as golden veins are mine.

The waters broke when we were born,
delivered, water-baby due;
resources pooled from genes and here
as nature, nurture play their part.
The source, a springboard, mind or soul,
to turn our width to greater length.
 
Stephen Kingsnorth
 
Stephen Kingsnorth (Cambridge M.A., English & Religious Studies), retired to Wales, UK, from ministry in the Methodist Church due to Parkinson’s Disease, has had pieces curated and published by on-line poetry sites, printed journals and anthologies, including The Ekphrastic Review.  He has, like so many, been nominated for the Pushcart Prize and Best of the Net. His blog is at https://poetrykingsnorth.wordpress.com
 
**
 
Avoidance
 
Sky sunny and hot,
swimming in the warm water,
avoiding troubles.
 
Lisa M. Scuderi-Burkimsher
 
Lisa M. Scuderi-Burkimsher has been writing since 2010 and has had many micro-flash fiction stories published. In 2018 her book Shorts for the Short Story Enthusiasts, was published, The Importance of Being Short, in 2019 and In a Flash in 2022. She currently resides on Long Island, New York with her husband Richard and dogs Lucy and Breanna.
 
**
 
Surface Tensions
 
Wading into the pool of impulses,
I can’t see what is waiting ahead
 
And without insight into what waiting ahead is
Intuition coils and tethers my hand to shore
 
Coiled ashore and tethered by intuition
One hand wanders back and one towards
 
A backhand to the future handed to me
The rest of me resists in stagnation
 
Resting in stagnation. Resisting on instinct
Intuition anchors my feet in still sand
 
My sandy feet intuit and sink still
As winds of insight push the way forward
 
In my sight, forward winds push intuition
So, I wade into the pool of impulses
 
Brendan Dawson
 
Brendan Dawson is an American born writer based in Italy.  He writes from his observations and experiences while living, working, and traveling abroad. Currently, he is compiling a collection of poetry and short stories from his time in the military and journey as an expat.
 
**
 
14 ½
 
Forward, her mind screamed
Six months ago, at fourteen
Bikini, beach dreams
Soft sand, lips: “Relax, just kiss”
Words steamed like water for tea.
 
Mind honed unwilling
Sharp as ice shards in mem’ry
Lone sea gull screeches-
Many ways to say “Goodbye,”
All writ large, six months too late.
 
Debbie Walker-Lass
 
Debbie Walker-Lass, (she/her) is a poet, collage artist, and writer living in Decatur, Georgia. Her work has appeared in Collaborature, The Rockvale Review, Green Ink Poetry, The Ekphrastic Journal, Punk Monk, Poetry Quarterly, The Light Ekphrastic and The Niagara Poetry Journal, among others. Debbie was proud to be nominated by TER for the “Best Small Fictions, 2024” anthology. Debbie is an avid Tybee Island beachcomber and lover of all things nature. She also enjoys collaborating with Jahzara Wood, they write poetry as “The 1965.”
 
**
 
Fregoli Fantasy
 
I. Impulse
 
Young and beautiful, I float in a shapeless patient gown
Trailing the clear blue harbour of Balmoral Beach
Until the urge abandons me like a seastar
Along the shore of my hospital bed
 
II. Intuition
 
Negative capability flows through my veins
With the steadiness of an IV drip
Saving me from discernment
Giving me the grace
To wade into the  
Liminal waters of
The present
And past
 
Lara Dolphin
 
A descendant of immigrants, Lara Dolphin lives with her family among the Allegheny Mountains of Central Pennsylvania on the ancestral land of the Susquehannock/Iroquois people. She has written three chapbooks In Search of the Wondrous Whole, Chronicle of Lost Moments, and At Last a Valley. She, like countless others, hopes for a world filled with greater peace.
 
**
 
Watching a Girl in Bronte Rock Pool
 
She wades in the pool of her thoughts,
watching a wave rise from the ocean,
peeling along towards the shore,
then spill and break.
 
Her hesitation ripples:
to swim beyond?
to dive deeper?
to live freely?
 
She gazes at the steps
by the rock pool wall.
Will she step over hesitation,
immerse herself in the ocean? 
 
This is the time to dive
into the fluid nature of life
with all its saltiness and liveliness-
trust where your swimming will take you.
 
Caterina Mastroianni
 
Caterina Mastroianni is a poet and educator living in Sydney on the land of the Cadigal and Wangal people of the Eora nation. She has published poetry in various literary magazines and Australian anthologies, most recently in Kalliope X, Poetry of Flight: The Liquid Amber Prize Anthology, Oystercatcher One Anthology, Burrow, Live Encounters Poetry and Writing Journal, Honeyguide, Medium and Poetry for the Planet: An Anthology of Imagined Futures.
 
**
 
How I Long 
 
To walk the ocean-
Not swim or canoe
But walk
Like a friend long lost 
Kissing unafraid 
In a never-ending embrace
Of that solitary realm
Beyond.
 
Alone on the ocean floor
Recline-
Waves beating
Fierce and gentle,
Time’s giant arms in wait
For a single star to light
From depths of darkness 
And swallow by and by.
 
Abha Das Sarma
 
Abha Das Sarma lives in Bangalore, India. An engineer and management consultant by profession, writing is what makes her happy and fulfilled. Her poems have appeared in Muddy River Poetry Review, Spillwords, Verse-Virtual, Visual Verse, Sparks of Calliope, Trouvaille Review, Blue Heron Review, Poetry X Hunger, here and elsewhere. 
 
**
 
Avaricious Whirlpools
 
Water source of life
Invigorating and refreshing water
Lacking resources in too many countries
Wasted by greedy humans
To the detriment of other humans
Avaricious whirlpools
Generated all over the world
By data centers
Causing water shortages
And frequent droughts
Impulsive whirlpools of gains
Dragging farmers and local residents
In their furrow
In their fury
 
Jean Bourque
 
Jean lives in Montreal. 
 
**
 
The Pool 
 
It was several weeks
before I could swim again, 
and when I did, I gathered 
 
those winged wanderers
known to flit across water
on evenings when one season
 
slips into another:
small, trembling lives
slick with water, 


and laid them 
along the pool’s rim
so they could fly again, 
 
perhaps perishing 
that same evening.
There was of course 
 
no way to know. 
When I waded into blueness 
I thought of another poem 
 
I read once, about twins
who drowned 
holding hands
 
so they would not be alone. 
And I was young, too, 
when I dove into 
 
a two-week trajectory 
of pregnant to not.
Twins: the image still 
 
on the sonogram: 
two faint moons
and nothing to hold 
 
but air, only myself 
and those who wear 
the wind.
 
Elanur Williams
 
Elanur Williams writes from New York City, where she lives with her husband and daughter. Her writing can be found in The Ekphrastic Review, Eunoia Review, 3Elements Literary Review, Door is a Jar, Feminism and Religion, and elsewhere. 
 
**
 
Impulse, and Intuition
 
Let me free my mind of worries. 
And be impulsive; let me fly
On a whim to the Canaries
Buy a new bikini from Sainsbury's. 
Drink some vodka, and show my thighs.
 
Follow my heart, my intuition. 
My gut – who needs to be lucid? 24/7
Let me sacrifice some inhibitions.
Fantasize about a masseur giving me free tuition. 
Like Shirley Valentine's dream, I'm in heaven. 
 
I'll pack my suitcase and disappear.
Put on that nasty factor 50 sun cream 
Dance beneath palm trees, showing my rear
Eat a spicy barbecued sea bream.
And fall in love with every new experience, my dear. 
 
I'll soak in a pool like a mermaid. 
Pretending I have some need to be saved. 
And pretend it's me that's being played. 
While all along it's you who'll need a band-aid.
A moment of my time, so you're not mislaid. 
 
Mark Heathcote
 
Mark’s poems are published in journals, magazines, and anthologies online and in printed form; residing in the UK from Manchester; he is the author of In Perpetuity and Back on Earth, two books of poems published by Creative Talents Unleashed.
 
**
 
Perks for the Aquatically Inclined
 
Immersed in a warm pool,
sporting my black bikini,
I am weightless and unhindered.
 
My arms float to the surface
with little effort
primed to start the breaststroke,
 
my legs, sturdy yet buoyant
propel me forward, smoothing a path
back and forth across the water.
 
Endorphins released, I halt to absorb
the mental boost of wellbeing
and tranquility, no one near to distract me.
 
In this meditative Blue Mind state, I conclude
that in the sphere of physical activity,
swimming is the great equalizer.
 
Elaine Sorrentino
 
Elaine Sorrentino, author of Belly Dancing in a Brown Sweatsuit (Kelsay Books, 2025), has been published in journals such as Minerva Rising, Sheila Na-Gig, Glass: A Journal of Poetry, Gyroscope Review, The Ekphrastic Review, Quartet Journal, ONE ART: a journal of poetry, Cool Beans Lit, and Haikuniverse. She is facilitator of the Duxbury Poetry Circle in Duxbury, Massachusetts.
 
**
 
Untitled 
 
As she moves forward ripples drift away...
 
Without her notice 
Like old dreams and memories 
Who she used to be
 
Andrew Jones
 
Andrew recently starting writing again after a 20+year hiatus. He enjoys writing short form and traditional poetry as well as lyrics. His poetry has been published in sense&sensibility haiku and The Ekphrastic Review.
 
**
 
She Died of Misadventure
 
Eve— “Without childhood or youth, 
she came from the moulding hand 
of her Creator, in the full maturity
of her powers. . .”
 
            from Women of the Bible
            by P.C. Headley, 1851
 
She died of “misadventure”.
A mysterious word, a magical term,
to open many coffers. Abracadabra, 
and she was gone. Implication 
of imagination in her movements.
Once in the world, she grabbed attention.
Went beyond the earth to dive into virgin
waters, separated on the second day
of creation. There for lured temptation
of the cold and wet on her fingertips.
Turning to and fro in a toggle
of exploration. What adventure 
did she seek to stimulate her brain?
The heavy play of swimming.
Pulled and lifted body defying
gravity in a wave of impulsivity.
Reaching to wrestle the tide and float
herself before the fall—predicted
for us all in the garden of beginning. 
Sinking toward redemption, she tested
her metal in the mental challenge
of overcoming. Channeling intuition, 
crossing boundaries of the human
when all she wanted was to swim.
Euphoric in the water. 
She died of misadventure.
 
Cynthia Dorfman
 
Cynthia Dorfman writes in Maryland in the U.S. Her recent work can be found in Moss Piglet, Bramble, and the Journal of Expressive Writing. 
 
**
 
Impulse and Intuition
 
naked if you look at the way the body-hair lies
streaked across the humps and bumps of flesh you can see
we were born to be in water only eyes
are a hindrance but consider how rarely we
do things with them fully open and an impulse
is there to be followed with a swirl and a swish
every bubble means trouble and a quickened pulse
a wave of the hand or the water is a wish
no one can arrest the advance of a ripple
outwards from the body to its destination
when once the arm has moved though light may stipple
the foam-crowned crests with a hint of reservation
and the liquid which lightens us by bearing weight
offers resistance which makes our responses late…
 
yet the lascivious element that caresses
every plane of our skin with bodiless fingers
which gently penetrate all our orifices
in anonymous intimacy which lingers
communicates wordlessly through subtle motion
currents and eddies stroke the submerged reluctant hand
intuition as formless and powerful as the ocean
pushing closed hand to open mouth in an unplanned
gesture of silence and enforced hesitation
as the unauthorized syllables are swallowed
by an unruffled surface and a declaration
better unmade is withdrawn unsaid and followed
by clear water between anybody involved
a fluid relationship painlessly dissolved
 
Mike Rogers
 
Mike Rogers taught literature in German at the University of Southampton UK 1972-1999, writing stories since age eight, poetry in quantity since 2016 (always thought the stories were better); only trying to get poetry online this year; succeeded with Snakeskin twice and Blue Unicorn. Will carry on (have a BIG back catalogue of prose and verse). Love sonnets and ekphrasis. Resident in Frome Somerset UK since 2020.
 
**
 
The Change
 
Intuitively, Rachael knew it was Raphael that had entered the pool suite. He was the longest serving of their pool boys and the quietest. 
 
She dipped and bobbed, blue rubber cap breaking the surface, water dripping from her goggles as she continued her steady breaststroke. She had been swimming for twenty minutes already. Thirty lengths in, her breath was under control. She carved a furrowed V-shape down the middle of the pool. 
 
Their row had been ferocious. One after another she threw the books piled up ready to be read followed by a paperweight and her stilettos. Her glass, half-full, luckily missed Eric and hit the wall, red wine running down the wallpaper as the shattered glass tinkled onto the floorboards. Eric retreated to the bathroom and stayed there until 3am by which time Rachael, her anger spent and beginning to sober up, had fallen asleep in her clothes. 
 
In her water-muffled world she was aware of the hose slithering over the deck, bouncing on the grout-rimmed tiles as the water hissed in spurts from the nozzle, making it jump and spray, like a snake disturbed and spitting venom.  
 
Three floors above, Eric turned off the computer and dressed quickly, double-tying his shoelaces before he slipped out of the bedroom door and descended the curving staircase silently. He crossed the vaulted entrance hall, meeting no-one, and exited through the front door.
 
Raphael’s shadow darkened the water, made green by the pool tiles, as he squatted to retrieve the hose and direct it into the bucket in his hand. The sharp hiss of the water hitting the plastic echoed around the tiled walls and bounced off the full-length patio windows, as the afternoon rain ran down the outside, cooling the day and steaming up the inside panes. 
 
Rachael winced, wished she had her ear plugs in, but continued her swimming. Thirty lengths more for her first kilometer. Her head was clearing now, as it always did when she swam. Things would change. Eric always had plans and most of them didn’t include her. It was time to surprise him with some plans of her own.    
 
In his stable-block office he opened the safe. He only kept emergency documents here. All other important papers were in the safety deposit box at the bank. He riffled through the envelopes and folders and pulled out his Australian and South Africa passports. He would be a long way away by the time Rachael or anyone else would even know he had left. He had spent a productive hour transferring funds and putting the final parts of the plan into action. Raphael was under instruction to delay her in the pool - whatever he had to do - before leaving for LAX. To avoid suspicion they would travel separately until their rendezvous in Cape Town where Eric would furnish him with a fake passport for the rest of the journey and the chance of a new life together. Intuitively he knew it was going to work out just fine, as all his plans did.
 
Raphael startled her as he threw the nozzle into the pool, the hose unraveling in front of her. As he squatted, back turned, to retrieve the bucket, she grabbed the hose and, on impulse, yanked it towards her. It tightened around Raphael’s legs and unbalanced him, tumbling him into the water with a splash. He surfaced with a gasp, his curls relaxed to his shoulders by the water. Even through her goggles she could see what it was that had drawn her to him all those months ago. No wonder Eric couldn’t resist him either. But then she knew from her own experience that Eric had a penchant for the pool staff. After all these years she knew now you should never marry the man who is willing to have an affair with you. She took her goggles off. Raphael smiled at her, the skin around his dark eyes crinkling up with delight. She started to laugh.
 
“Don’t you have a plane to catch?”
 
Caroline Mohan 
 
Caroline Mohan is based in Ireland and writes sporadically — mostly stories with the occasional poem,and mostly in workshops. 
 
**
 
Aquatic Regression:
 
What do I feel?
Just the cold ripples
crashing against my skin
before I disappear.
 
I close my eyes
and enter the darkness,
my body navigating
the silent great blue.
 
Can sleepwalkers swim?
If I sleep and swim…
Have I become a fish?
Once upon a time,
my amphibious ancestors
evolved from fish 
and rose from the sea
like Aphrodite.
 
Am I de-evolving?
Regressing to a marine form
to stay in a chaotic world
safer than the Earth?
Will I be a mermaid 
before a fish
and finally
a single cell organism?
Will I be better seen
through a microscope’s lens
when I was barely seen
as a human?
 
Is this the true topic?
Not watery beauty,
but physical prejudice?
Am I better off dissolved
into sea foam 
crushing against rocks
than I ever will be
as the human I am?
 
Celine Krempp
 
Celine is a French-American artist and writer. Working part-time as an art museum security guard inspires Celine in her ekphrastic writing. She has appeared in The Ekphrastic Review, participating in biweekly challenges and anticipating the online publication of her ekphrasis stories on Vivian Browne in December. When she’s not brainstorming her next creative project, she walks her dog VanGogh, reads books, indulges in sweet cravings, and binge-watches classic shows like The Big Bang Theory and The Addams Family. Celine is constantly jotting down ideas for short form writing inspired by her emotions, personal and professional experiences. Many people have described her work as “an enlightened commentary with vivid imagery.” Celine currently has art on display at the Phillips Collection and the Fine Line Creative Arts Center.
 
**
 
Poses
 
Always in motion. You know what I mean.
 
They follow me, or at least they seem to turn up wherever I go. There
are so many of them.
 
We travel along separate trajectories, spending hours apart, days
even, and then suddenly we are face to face back to back reflecting
each other with a nakedness born of necessity and its harsh light.
 
frozen images
almost on the verge of kinship --
who is shadowing whom?
 
Kerfe Roig
 
Kerfe Roig resides in NYC where she makes art and writes poetry.
 
**
 
Infinity Pool
 
My legs push through the resistance of the water
My arms pump to lend momentum 
Some might say I’m making circles 
But I’m creating infinity
 
My arms pump to lend momentum
I hope this exercise heals my joints, buoys my spirits
As I create infinity
Maximize my life span
 
I hope this exercise heals my joints, buoys my spirits
And doesn’t make me dizzy as I go round and round
To maximize my life span
Water-walking a figure eight
 
My head feels dizzy, but I persist round and round
Creating a whirlpool of intense resistance
Water-walking a figure eight
Which feels like infinity
 
I create a whirlpool of intense resistance
How long have I been at this?
Feels like infinity.
I fall out of the circles and head for the steps.
 
My legs push through infinity.
 
Barbara Krasner
 
Barbara Krasner was an avid water aerobics fan until the confluence of chronic diseases put her in an autoimmune bubble. Maybe one day when her resistance has strengthened, she can return to the pool. She is the author of the ekphrastic Poems of the Winter Palace (Bottlecap Press, 2025), The Night Watch (Kelsay Books, 2025) and the forthcoming The Wanderers (Shanti Arts, 2026). Visit her websiteat www.barbarakrasner.com.
 
**
 
Same But Different
 
Impulse acts without thought
Of consequence or motivation --
Leaving scars in her wake,
 
For she is motion erupting
From a single point --
Buffeting, colliding with the world around her.
 
Her sister Intuition moves as well
But she glides, harmonizes --
Flows, ripples, undulates,
 
For she is a thousand droplets of external knowing
Felt and funneled into a single point,
Entraining the Universe's desire. 
 
April Dawn Patterson
 
April Dawn Patterson is pursuing her MS in Clinical Mental Health Counseling through Texas A&M-Kingsville. When not studying, she unwinds with philosophy chats, astrology memes, and Star Trek reruns.
 
**
 
Swayed
 
Swayed by waves
toes sucking against
ebbs and flows
your speedo hides
bits and bobs
shrivelled against ocean chill
 
I watch you duck dive
between her legs
her squeal 
a sea gull's delight
I fight my impulse  
to catch the next
 flight out
 
Intuitively 
I breaststroke 
back to you
And what do I see?
 
Her face is your face
staring back at me
 
Your kissing cousin
flown in from
Tasmania
 
Donna-Lee Smith
 
Donna-Lee Smith writes from Montreal, an island lapped by the rivière Saint-Laurent.
 
**
 
Sixth Sense
 
Chrissie swept her fingers through the water, enjoying its cool smoothness on her skin. The water was so clear she could see her toes dangle beneath her. Like bait, she mused. A swell caught her unaware, blap in the face, and she spat brine, but the saltiness stayed in her throat and nostrils. Looking back toward the shore, she saw nobody except for that silly boy passed out in the sand. But she could swear she heard music, two faint bass notes. Looking around once more, she was sure there was no one else, no radio. Yet again she heard it, da-dum, da-dum. Her pulse quickened as she thought, It's time to get out.
 
Tracy Royce
 
Tracy Royce is a writer and poet whose words appear in Bending Genres, Flash Frontier, MacQueen’s Quinterly, Villain Era, and elsewhere. She lives in Southern California, where she continues to celebrate the 50th anniversary of her favourite film, Jaws. You can find her on Bluesky.
 
**
 
The Currents Within
 
Water moves without warning.
 
Sometimes it is a sudden rush beneath the skin
impulsive, untamed, swift
that carries us forward before reason catches up.
 
Othertimes it is a gentle flow
the quiet whisper of intuition
that guides us along the hidden murmurs we often ignore.
 
Together, these make up our dual song
the sudden surge and the steady stream
reminding us that life is truly lived
when impulse and intuition meet.
 
Nivedita Karthik
 
Nivedita Karthik is a graduate in Immunology from the University of Oxford and a professional Bharatanatyam dancer. Her poems have appeared in many national and international online and print magazines and anthologies. She has two poetry books to her credit (She: The Reality of Womanhood and Pa(i)red Poetry). Her profile showcasing her use of poetry has been featured in Lifestyle magazine.
 
**
 
we (mostly) shall grow up
 
bare naked 
(or nearly) 
we body-surf 
at the beach 
daring the wave 
to slam 
to grind our flesh 
into the rocks 
 
prefrontal cortex unready 
for judgment 
radiated 
by ultraviolet
energized 
by ozone
deluded
by hormones
scented 
by brine
high 
on sunshine
 
until by blind luck
or sheer intuition
corner of eye divines 
the hulking oncoming
driftwood log 
 
so I grab you
and dive
among kelp between 
barnacle boulders
 
scraped 
not clobbered 
crazy
not killed
because our instinct
is survival
coughing lungfuls
of the salty water
from whence 
we came 
 
Joe Cottonwood
 
Joe Cottonwood repairs homes and writes poems under redwood trees in the Santa Cruz Mountains of California. His next book of poetry (from Sheila-Na-Gig) will be titled buck naked is the opposite of hate. He appreciates wagging tails and dog-eared pages. His website is joecottonwood.com
 
**
 
Untitled
 
“I heard the water’s voice within my wake
translate an impulse into waves of sound
from sun-flecked ripples as I turned towards
the living light, to stream a new idea
which I could not communicate in words,
but felt, in water’s churning pirouette
around my body, light and water dance
in step with me, awakening my mind.
 
“Then I turned right, still fixing on this light,
and plied my right arm forwards with its draught
that sailed along the current of my thoughts,
my left hand raised to navigate a course
beyond my past amnesia’s slackened wake, 
experiencing the birth of certainty,
to be the co-creator of my future world
and wade intuitively to the shore.”
 
Raymond Garfoot
 
Raymond Garfoot is a retired Methodist Church minister living with his wife Ingrid in Peterborough UK, now concentrating on expressing his own ideas in poetry and researching Jesus' spirituality.  Having had some work accepted for The Ekphrastic Review, he feels more confident to continue using poetry to enlarge his own understanding, together with his interests in art and classical music.
 
**
 
The Glass Portrait 
 
“Mirrors ...cannot be trusted.”
Neil Gaiman
 
I'm told not to turn away
but swim through the glare
toward my reflection — plunging
into a long gaze
 
as the waviness
of an old looking glass
absorbs my age.
 
I'm told I will live
for centuries — always
appearing twenty five
and feeling the same
 
while that mirror confesses
my true face and form
letting  others deceive
within their deco  frames --
(hand held, hung or standing.)
 
I'm told there are no
loopholes or bargains
just the joy
 
of becoming immortal:
an Odalisque, a Mona Lisa
or that Girl With A Pearl Earring...
 
yet, I fear the tides of  boredom.
The spirit of my conscience
draw-stringed in her two
piece suit, drifting miles out
 
with water echoing
through a stone accordion
of cliffs — as the moon pulls her
toward oblivion — soon
drowning in the distance
 
while a sandpiper digs
along the shore
where she's left her footprints
trailing into the sea.
 
Wendy A. Howe
 
Wendy Howe is an English teacher who lives in California. Her poetry reflects her interest in myth, women in conflict and history. She has been published in the following journals: The Poetry Salzburg Review, The Interpreter's House, Corvid Queen, Strange Horizons, The Acropolis Journal and many others.
 
**

The Exodus of Joy
 
I never could have believed
 
Having swam in such civilized waters
That words hold meaning 
 
I Believe 
In the domain of the heart
 
I Believe 
The glass is half full
 
I Believe 
Everything is empty 
 
How many times 
 
Do I
Repeat this ritual 
 
Fingering the rim
Giving an inch to fear
 
I move
 
MWPiercy
 
 
Michael W. Piercy: At the intersection of Art, Poetry and Contradiction you will find my work, you will find me. Observing memories and the present moment, thinking with an eye that shadows the natural world. Philosophy, Theology, and Science are core of my writing - I have found that I am a synthesizer. Managing ideas which do not always cohere. A manipulator of ideas. 
 
**
 
Shallow Beginnings, Deep Ends
 
and
waves lap
at curled toes,
lick sand off from
under the feet, caress, cajole,
guide further into the forged blue,
imitating the sky under unassuming milky foam,
shielding secrets underneath, playfully pull by the ribs
with alluring lure of golden treasure aligned across horizon,
that seductive mirage, like moths to flame, innocent insects towards
Venus flytrap, sugar laced in poisonous potion such that sweetness lingers
on tongue while insides hollow out; and eyes cloud under deceitful gentleness
and warmth of mounting tides, threatening to inject into empty lungs a deadly elixir,
life-giving otherwise, but feet kick, arms thrash, and you learn to swim, survive, instead.
 
Manisha Sahoo
 
Manisha Sahoo (she/her), from Odisha, India, has a Bachelor’s degree in Engineering and a Master’s in English. Her words have appeared in Inked in Gray, Usawa Literary Review, Bridges Not Borders, The Ekphrastic Review, Apparition Lit, Sylvia Magazine, Atticus Review, and others. You can find her on Instagram/X/Substack @LeeSplash
 

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