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Peter Nicolai Arbo: Ekphrastic Writing Responses

1/10/2025

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Picture
The Wild Hunt of Odin, by Peter Nicolai Arbo (Norway) 1872

Let Them Be Free
 


—for poet Wendell Berry and author Mel Robbins 

The midwinter blues coalesce 
as the gusty grays collide 
constellate 
near the diagonal darkness 
of an airborne battle. 
Here 
weapons deploy amid legions of chaos. 

Unlike the legends of brutality 
rendered atop canvas 
or the reality 
of present-day feuds between humans 
the owl 
and raven 
the goat 
and horse 
fend for well-being 
seek mellow horizons 
as they 
glide 
walk 
and gallop toward circumstances 
within their control 
practice 
The Peace of Wild Things 
and 
The Let Them Theory.  
Jeannie E. Roberts

Jeannie E. Roberts is the author of several books, including The Ethereal Effect - A Collection of Villanelles (Kelsay Books, 2022). On a Clear Night, I Can Hear My Body Sing is forthcoming from Kelsay Books in 2025. She serves as a poetry editor for the online literary magazine Halfway Down the Stairs. 

**


Through the nightly air

(from the opening line of the poem Asgaardsreien, by Johan Sebastian Welhaven.)

Dark and hideous
burns a sunrise
bruising sacred goodness of a life.
Combating chores on days
of no consequence, women
weave a vapor chorus,
let the green fly into the web-
while the men assault cheap liquors.
Turmoiled mind, howling time
drowns murmurs and the scent.

Secrets smolder
through the nightly air.

Abha Das Sarma

An engineer and management consultant by profession, Abha Das Sarma enjoys writing. Besides having a blog of over 200 poems (http://dassarmafamily.blogspot.com), her poems have appeared in Muddy River Poetry Review, Spillwords, Verse-Virtual, Visual Verse, Sparks of Calliope, Trouvaille Review, Silver Birch Press, Blue Heron Review, Lothlorien Poetry Journal, here and elsewhere. Having spent her growing up years in small towns of northern India, she currently lives in Bengaluru. 

**
​
[frothing black horses]

frothing black horses
presage the coming
storm of the hunting
forces of rain

forcing the hollow-eyed
prey of the following
cataract coarsening
weather-veins

pulsing repulsing
all hallows evening
all Wotan hailing
unmortal flesh

flushed
flown

OddWritings, a.k.a. George Pestana

OddWritings, a.k.a. George Pestana, has a degree in computer science.  He enjoys playing with words, doing crossword puzzles, writing poems, and occasionally publishing them.  You can learn more about him at http://oddwritings.com .

**

​Ode to Odin

Odin bursts into the dead of night
his wild vein horsing on his forehead
haunted by the bright mirage
of the muses’ porcelain souls
lost in peripatetic cadence
luring him in chase
through Valhalla drowning darkness
as their gloss blinds his mind
and he can’t but grab and run
till all porcelain ghosts are dumped
into the crack of dawn.
In a way it’s carnage.
In a way - bondage.
Odin has awareness of none.
He belongs to the Solstice taunt.
By dawn Odin is oddly gently numb.
You awake to what made
your wynorrific dream.

Ekaterina Dukas

Ekaterina Dukas, MA, writes poetry as a pilgrimage to the meaning and enjoys being frequently honoured by TER and its challenges. Her poetry collection Ekphrasticon is published by Europe Edizioni.

**

Tidings from Mjolnir

Shut your eyes, for we have been awoken
              by the flames of Valhalla to ride
into your moonless night.
              Run, while you still can, into the shallow 
depths of your camp tents, brothels--
              pray that the pain shall kill you swift when the 
valkyries stab out your battle cries with spears,
              lay you down with bow and arrow,
condemn your chainmail armour and naked bodies 
              to the lowest layer of Helheim.
Our ravens have brought death unto whole armies,
              raised hordes of harlots from graves, 
so waste not your last moments on thoughts of escape--
              Rather, peer past those billowing curtains and look
to the rolling clouds, shadow mountains, thunder, Thor.

Angelina Carrera

Angelina Carrera, 22, is a neurodivergent poet, Philosophy major, and Creative Writing minor at UC Berkeley. She is winner of First Matter Press’ 2024 Ekphrastic Poem Contest. Her work has been featured in After Happy Hour Review, F(r)iction, Last Stanza Poetry Journal, and more.

**

Wild Hunt

Odin’s terrifying procession across the night sky
A wild hunt, seeking all those not hidden, to die
Across the winter landscape, dead souls would fly
It presaged a catastrophe, such as a plague or war
A motif with origins in Germanic and Nordic lore
Seeking and abducting witnesses to join the horde
 
The moon looks on, through the thickening cloud
Cries of the many rabid hunters, deafeningly loud
All blinded by violence, none ever shall be cowed
The dawn soon to come, the sun with its own fire
Survivors, to be left trembling in the bloody mire
Seeing them overhead with bared teeth and sword

Howard Osborne

Howard has written poetry and short stories, also a novel and several scripts. With poems published online and in print, he is a published author of a non-fiction reference book and several scientific papers many years ago. He is a UK citizen, retired, with interests in writing, music and travel.​

**

Truth or Dare?

Near fifty past in Wistmans’s Wood
connections with The Hunt, their sale   
for tourist bounty, rural rides,
though county next, in Cornish lore
the Devil’s Dandy Dogs seemed frail.      

Grimm tales, long spread, all underlaid;
did delta drain, strain deemed aura?   
Here’s host of pruning, thinning ways -
those Marvel Comics, Quatermass -
with music, modern media.  

But myths are truths, allegory,
so commonalities exist,    
a pattern made, if not pre-laid,
each culture with twist patented,
like stubborn stubble, winnowed grist.   

Midst winter woods, ferocious winds,    
both howling hounds and growling storms,             
as plagues, wars, famines strip the ground,
land spirits from cult-of-the-dead,
all baying, gallop, restless forms.    

These spectral and nocturnal hordes,
a muscle memory of tears,     
less threat by naming, slotted box,
or by transforming to our taste -
so fairy host, those vicious, clears.    

As culture vultures search their roots, 
find routes by which we share our fears,   
new faiths accommodate as must,
adopt or demonise as best -
for monks and missionaries steer.  

In harmony, strange Schönberg see -
while Weber also joins that Liszt.   
Here Hecate and Wicca merge
in pagan pantheon with Norse,
that none be missed in vaulting mist?     

The nightly frothing horse stampede,
thronged ravens of the Odin flock,      
those spectral riders, Arbo’s frame -
feel menace din of restless souls, 
these trolls, werewolves, Valhalla stock. 
Stephen Kingsnorth

Stephen Kingsnorth (Cambridge M.A., English & Religious Studies), retired to Wales, UK, from ministry in the Methodist Church due to Parkinson’s Disease, has had pieces curated and published by on-line poetry sites, printed journals and anthologies, including The Ekphrastic Review.  He has, like so many, been nominated for the Pushcart Prize and Best of the Net.  His blog is at https://poetrykingsnorth.wordpress.com

**

Hunted

nightmare carves the dark
like fire breaking
under rough clouds
a stampede of wild horses
their hooves iron anvils
striking sparks
from a gunmetal sky--
ghost-ridden
chased from the last
dull shelter
split open and broken
empty  bone shell crushed
out of  hope and no
chance of rescue
where dark squalls of crow
and raven shoulder past
even the faintest
memory of light
and I crouch beneath the weight
of judgement’s heel and wait
the final hammerfall of night
 
Mary McCarthy

Mary McCarthy is a retired Registered Nurse who has always been a writer. Her work has appeared in many journals and anthologies, including The Ekphrastic World, edited by Lorette C. Luzajic, The Plague Papers, edited by Robbi Nester, The Memory Palace, edited by Lorette C. Luzajic and Clare MacQueen, and recent issues of Gyroscope, 3rd Wednesday, Caustic Frolic, Inscribe, the Storyteller Review, and Verse Virtual. Her collection, How to Become Invisible, that chronicles a bipolar journey, is now available from Kelsay books, Amazon, and the author.

**

Ode to Woden

When Wednesday's child 
though full of woe 
won the war
we warriors 

wandered home to whelp 
our wee ones
 
oh
how we wept 
whence 
we saw 
The Wild Hunt of Odin 
where
once again
we women
were limbed without 
wearing 
nary a gown
 
Donna-Lee Smith

Donna-Lee Smith writes from Gotland Island where the Baltic Sea nibbles the coastline and the Vikings rest their souls in ships of stone.

**

Gehenna Revolts

Of all the evils man has endeavored,
one yet remains, too long endured.
Convicting mortal nature—a devil!
masquerades as both magistrate and Lord.

So, in coalition and common reason,
the damned then to the depths resort.
Where in concert as resounding Legion, 
against the deity they lead revolt.

Together, harmonic in agreement, 
the demonic chamber forever pleads.
While the Archon stokes over Hades’ ember, 
devouring sacraments of ill-will and misdeed.

The guilt it savours are remorseful flavours--
morsels of the bitter treasure hoard.
Until again, at vengeance end, 
the unrepentant feed their god once more.

Jory Como

Jory Como is an aspiring American writer residing in Christchurch, New Zealand.

**


Inheritance

My ghosts are visible but unrecognizable.
 
we wish
on stars, on myth,
on the magic of words
spelled into narratives
that journey us
alive

 
My ghosts cannot be confined.
 
alive
inside darkness
awaiting the ending
of time, ethereal
layers scattered
like seeds

 
My ghosts are ravenous and skeletal.
 
layers
of seeds scattered
into history—what
grows from our bones?  are we
tied to earth or
spirit?

 
My ghosts are beasts of legend, followers of frenzied flight.
 
spirit
relics remade
into dust, particles
that travel in wavelengths
of long lost souls,
shadows

 
My ghosts hold the darkest hour untouched by light.
 
shadows
emptied of self--
moon-mirrors death-dancing--
as if they could tell us
who was master,
who thrall

 
My ghosts are divine, profane, profound.

Kerfe Roig

A resident of New York City, Kerfe Roig enjoys transforming words and images into something new.  Follow her explorations on her blogs,https://methodtwomadness.wordpress.com/  (which she does with her friend Nina), and https://kblog.blog/.

**


These Visions Sadden Me

so don’t expect a love poem,
minus enticing apples and rose petals
it shrieks of conquest and power,
not one brush stroke of humanity.
Evil heaves itself across a terrifying sky
hunters seize unfortunate souls
unable to find refuge in time,
but, in the midst of this ambush
what about those lithe Valkyries─
are they compassionate heroes
or hostile compadres steering
the ill-fated to the slaughter?
The opposite of a love poem,
there’s no hope in this melee,
only sorrow that history and lore
often celebrate brutality.

Elaine Sorrentino

Elaine Sorrentino has been published in Minerva Rising, Willawaw Journal, Glass: A Journal of Poetry, The Ekphrastic Review, ONE ART: a journal of poetry, Haiku Universe, Sparks of Calliope, Gyroscope Review, Quartet Journal, The Raven’s Perch, and Panoplyzine. She hosts the Duxbury Poetry Circle and is looking forward having her first poetry collection, Belly Dancing in a Brown Sweatsuit, published by Kelsay Books in spring of 2025. Visit Elaine online at https://www.elainesorrentinopoet.com/.

**


​They May Fight on the Clouds 

They may fight on the clouds riding horseback.
They may turn the rivers red with blood.
But Odin, the god of poets, the god of war
With his band of female handmaiden warriors 
His Valkyries, he will not give anyone room.
Except for those few, his choosers of the slain
And the slain will then be carried to Valhalla,
As heroes to once more live immortally again
 
They may fight on the field of battle valiantly.
They may even sing of victories fairly won.
But Odin, the god of poets, the god of war
He will throw his spear again and again.
While riding his eight-legged horse, Sleipnir,
And his spear will hit its mark and sink 
Into the hearts of beasts like a venomous snake.
And no doubt his victims will undoubtedly fall.
 
But Odin, the god of war, the god of the dead
And the hall of the slain he will use his knowledge,
His sorcery to defeat those who won’t kneel,
Bow before his royal feet. Wisdom is his alone.
After bartering his sight for a far greater insight
Those who don't agree will swing from the gallows.
They may fight on the clouds riding horseback.
They may turn the rivers red with bubbling blood.
 
But Odin, the god of poets, the god of war
Today, he alone knows what’s truly in store.
With his band of female warrior handmaidens
He will cut the beast of the field down to straw.
With a party of airborne horsemen accompanied
By ravens and owls, the Wild Hunt is upon us.
And all are sent scurrying like a fleeing whore.
Back to the places where sleep's a wild pagan boar.

Mark Andrew Heathcote

Mark Andrew Heathcote is an adult learning difficulties support worker. His poems have been published in journals, magazines, and anthologies online and in print. He is from Manchester and resides in the UK. Mark is the author of In Perpetuity and Back on Earth, two books of poems published by Creative Talents Unleashed.

**


To Nicolai Arbo Regarding The Wild Hunt of Odin

   There are forces far beyond us   eyes behind us would explain
   as torrential fury's vengeance
   gods could wreak upon the vain

   at the turning of the winter
   through the dark of longest night
   as the chill of bitter warning
   in a wind of lethal might

   to remind us flesh is mortal
   but its soul might well survive
   to be prey of Odin's hunters
   for the hell in which they thrive

   while they leave our ash to fallow
   as the terror thus they hallow.

You paint that tale in single frame
with screech implied of mythic fame
and wind as if the eerie moan
of souls removed from flesh and bone

amid the thundered rumbling sound
of hooves that strike the air as ground
emerging from concealing clouds
unbound it seems from yielding shrouds

becoming capes that flutter free
as terror eye can plainly see
against the veil of shuttered sky
at dusk so prematurely nigh

that crackles with the distant fire
of life extinguished on its pyre
to kindle in the warming glow
rebirth as spring we will not know

except by deed or brush or pen
that tells the tale of who we've been.

Portly Bard

Portly Bard: Prefers to craft with sole intent...
of verse becoming complement...
...and by such homage being lent...
ideally also compliment.

Ekphrastic joy comes not from praise
for words but from returning gaze
far more aware of fortune art
becomes to eyes that fathom heart. 

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