An Audience with Lady Ottoline Haughty in her velvet, swagged with pearls abandoned, swamped in aristocracy Lady Ottoline’s mad eyes glare at the room she is weird as a witch and she's watching me I came to the National Portrait Gallery to see the faces, read their history I came to judge, but Ottoline stares back, she sneers, teeth clenched and challenges my naïve belief that I could view their two-dimensional oils pinned like butterflies in solitary frames their posterity mine to occupy but there are more of them than me and each is peering brazen through the windows of my house. This gallery is theirs I am the passing entertainment and Lady Ottoline Morell still audits me until I know my place, pay my respects and leave her to her strange imaginings. Cos Michael As a child, Cos Michael’s ambitions stretched to socks that would stay up and egg and chips in a café. Since then, her career has been many and varied, but always creative. Aged 50, she was diagnosed as autistic, which brought her life into sudden focus. Her themes explore growing up and life now, from an autistic perspective, She's had poems published by The Alchemy Spoon, Wildfire Words, Atrium and the Grindstone Poetry Anthology.
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October 2024
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