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An Ekphrasis for Margaret Grace Your image incises my favourite intaglio print, massive, at four-by-two to your four-eleven, red lines bleeding into the blueness of you the curling into a womb robbed of a baby you weren’t allowed to know, a baby you’d search for in every room but never find. And the men who consumed you, hungry for your delicate lines, for your soft curls, for life leaking like light from the violet glint of your eyes. I wonder, sinking into your saturated cloud, shaped by a rounded tarlatan rag, a whisper looping in swift, precise circles across the four-by-two plate, by your sister’s hands, first etched in her synapses decades before, now bleeding in archival ink, on archival paper, you, an archive lost, an archive held. You: fourteen, in an attic, and already mourning. Abigail Card Abigail Card holds an MFA in Creative Writing from Portland State University and is the Managing Editor for Cider Press Review. Her work is published or forthcoming in Cimarron Review, For Women Who Roar, Bending Genres, and others. Her work centres around dismantling the silencing of women, unraveling grief, and exploring neurodivergence through the lens of voice. When she isn’t writing, she’s usually tromping through old-growth forests, curled up with coffee, or traveling with her family. She currently resides on the coast of Maine. .
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The Ekphrastic Review
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April 2026
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