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An Open Letter to God, Wide-Eyed and Fallible O God, wide-eyed and fallible, what do you write with that oversized plume of whistling swan? Black ink smears and splotches my birth certificate. You mold us in an abyss called womb. What of embryos? Am I a biological blunder? I filled tiny circles with a no. 2 pencil. The doctor wrote, bipolar. Am I the crumpled brown take-out bag you tossed out the window when joy riding your streets of gold? While you busily fussy cut and petal fold, I still exist as something between what I am and what you hoped for. When I think of my cancer, I wonder if your oversights are flashback or forethought. What do you do with them? Do you reduce/reuse/recycle? The garbage in your palace must flank your throne, lean against pearly gates towering and tarnished, stink to the highest heights of heaven. Who cleans up after you, brings waste disposal trucks? Will you part with what you hoard? Learn to say goodbye? O God, wide-eyed and fallible, your eyes reflect the same struggles of earth. When you think of us, surely your dark irises swell with tears that drip into puddles of dirty secrets. Do your mistakes taste good? Is earth the cake that failed to rise even frosting can’t fix? And what of black holes? Are they nothing more than chocolate bon bons in pleated white wrappers? Standard pub ashtrays collecting heaven’s debris? Are they trash cans rife with regrets: hefty wads of botched blueprints, working models of Mars in the wrong shades of red, green nebulas, entire galaxies, tossed out with broken hot pink Shiny Brites? We would be glad to bag everything, tie it up, put it out to curb. I hear sometimes the worst of your fiascos become purplescent dragonflies or starry painted deserts, and sometimes even the best are hurled into flames. Rebecca Weigold This poem previously appeared in Stink Eye Magazine. Rebecca Weigold studied Theatre and English at Northern Kentucky University. She has held editorial positions at F&W Publications and ITP/Southwestern Educational Publishing in Cincinnati, Ohio. Her poetry has been featured in Floating Acorn Review, Haikuniverse, Rat’s Ass Review, Stink Eye Magazine, and others. Her poem, “Thoughts During Taps,” published in The Ekphrastic Review, has been translated into Arabic. Three of her poems have been nominated for the Pushcart Prize. Additionally, she is proud to have participated in the renowned Uptown Poetry Slam on multiple occasions, hosted by Marc Smith at the historic Green Mill in Chicago.
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The Ekphrastic Review
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March 2026
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