Bath Towels in Marble On ordinary chrome towel racks— much like those on which I hang my damp, frayed own—they look thick and what the ads would call luxurious. I tilt my head against the wall, but nothing can convince me that they’re not Egyptian cotton. One looks as if it’s just been flung there—bunched, off-centre, casually draped—while the other is folded, Montessori-like, in thirds and hung so that the cross hems meet and cast a prudent shadow. The yin and yang of domestic life fashioned so convincingly it makes you want to grab one, flinging it behind your back and pulling first one way and then the other, as if to smooth the pebbled skin raised by stepping from the shower. My husband tosses his in the general direction of the towel bar, from which it looks as if it’s trying to escape. But in this work I also see the man I didn’t marry, whose shirts and trousers were arrayed with military care and grace, whose hair lay tame in graven waves, and whose features I might once have called—before I’d seen the skill involved in freeing what is human from Carrera marble—chiseled. Sue Ellen Thompson Sue Ellen Thompson’s most recent book, Sea Nettles: New & Selected Poems appeared in 2022 from Grayson Books. She is also the editor of The Autumn House Anthology of Contemporary American Poetry (1st ed.). She lives on the Eastern Shore of the Chesapeake Bay and teaches at The Writer's Center in Bethesda, MD. In 2010, she received the prestigious Maryland Author Award from the Maryland Library Association, which is given to a poet once every four years for his/her body of work.
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The Ekphrastic Review
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May 2025
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