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Ear Stories After Leonardo da Vinci’s The Virgin and Child with Saint Anne Alarm bells sound, and you recall a half-grasped dream tucked away in the Carpathian mountain range, where the ridges of your remembrance turn Rapido blue. You say, "now this is something else," though it can’t be pinpointed yet, only that it’s been revealed the only way through is to go all the way in and through and in and through-- towers of past are put in stone behind you, the fading fortress washed out amid deepening hues, as sisters fold sapphire over each other's laps with an infant near snow melted streams, tangled with a lamb that takes rest by a cluster of bluebells, leaning into noontime shade. Once, I caught a lark as it played the lyre, only to let her zealous body pass an aureole of hope, suffusing her feathers a royal blue, clean through. Why gush of the color so much? It consumes most of earth's circumference—if blues are in endless supply, tell me more ear stories before morning light. Take me to cascades that crush blueberries underneath my bed, using only the steady frame of your voice—show, show me more, I promise I am still listening. Alexis Leigh Alexis Leigh is a deep-image poet fascinated by epiphanic shifts, or as she delights to think of it, a literary vessel for Christ’s light to dwell, convinced that the creative arts serve as a powerful window of worship that leads humanity back to the beauty of God’s heart. She created the literary journal, Vessels of Light, to live as a virtual lighthouse holding literary vessels that shine. She was chosen as a Harriet Williams Emerging Writer for 2026 and received the Mary Purcell Beach Scholarship for the best written essay in 17th-18th century studies. Alexis has been published in places such as Rip-Rap, Ekstasis ( now Inkwell), Calla Press, Alabaster Co, Heart of Flesh, The Way Back To Ourselves, and Christianity Today. She is currently completing an MFA in poetry at Cal State University Long Beach.
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The Ekphrastic Review
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July 2026
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