Elegy for the Luminous
After centuries, pink roses remain dewy—a few weighed down by headiness. You'd like to inhale the golden-orange freesias: not a scent of turpentine. Crocuses open beaklike, snowdrops droop, colors swirl up Rembrandt tulips, persimmon lilies arc backward in the vase aswarm with flowers of every season—combinations no gardener ever saw. In your garden one loveliness replaces another or shoots drown in their roots in an eyesore patch of earth you can't paint over. Winter gessoes your canvas white. You sketch on it with a stick and dream of seeds—their hidden pigment. Eternally pink petals collect at the bottom of this Dutch Still Life, where grape hyacinths spike up, and higher—star delphiniums. Poised leaflike on a stem, the subtle butterfly’s beyond delirium. Despite the museum window’s darkening landscape, despite the pithy insights on the painting's placard, you don’t notice—farther down the wall-- the framed timepiece, mirror, skull, but admire the lushness of the peony, the creamy yellow strokes of composite, the unblinking delft verbena. The lizard lolling in the shadow, deepened by age, takes in the viewer who, forgetting the reaper, gleans the moment, and wanting all bounty, all seasons at once, loses sight of the heavy frame. Laura Glenn This poem appeared in Bookpress Quarterly and in Like an Index of the Fragile World, as well as in Laura Glenn’s first book of poems, I Can’t Say I’m Lost, published by FootHills Publishing. Her poems have appeared in many journals, including, The Antioch Review, Boulevard, Cortland Review, Epoch, Green Mountains Review, Poet Lore, Poetry, and Smartish Pace. She is working on a second full-length book of poems. Glenn is a Pushcart nominee, and the recipient of a CAP fellowship in poetry as well as a poetry grant from AE Ventures. Along with other poets, she is currently presenting a multimedia ekphrastic show at various venues. Also a visual artist, she lives in Ithaca, NY, where she works as a freelance editor.
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The Ekphrastic Review
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February 2025
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