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Face Off Spent, I sink into my snowcapped comfy chair when I’m confronted by that Audubon print of two cautious owls perched on slick limbs on a splotchy stump. I rest my gaze on an unblinking owl in the foreground with mottled markings shaped like bats in flight. Penetrating eyes clock me as if I’m easy prey. Who I think, who is predator, who is prey? I can’t break away. Each waits out the other’s blink. Anytown, USA Fella, quit drilling for insects on my grille, your guttural readle-eaks a perfect rusty gate soundtrack. I detect a wee swagger. Flaunt those purple highlights in your deep green tail feathers. The naturalist Audubon wrote of Purple Grakles chased, stolen upon, and killed in great numbers, yet here your plague congregates nearly two hundred Novembers since, tracking the ground for crumbs from crosshatched power lines in a dense intersection. That’s where I perch, see, the fiftieth floor, all that glass making me glassy eyed. I want grub too, soft corn tacos you might scarf up, only flat, pulverized. I challenge, only two miles away as the crow flies, tossing a bite from my lunch sack. Extinction Audubon feared for the exuberant Carolina Parakeet-- parrots he called them— its vibrant plumage sport for sportsmen preying on targets, reducing it by half, half its size in five short years. Tell me, what sport in supporting massacre, kindness confused for weakness as weakly the parrot tended its injured flock who fell when felled from cocklebur branches, the irksome squawking in fact squawks warning the others. Steer clear! By half! Half remaining in five years’ time. Forced to migrate as swarms of migrating honeybees settled in their trees, teasing from the trees thinning flocks railroaded by railroad cars, reduced agriculture, and city life citified. And by 1918, the native parrot, extinct. Devotional Audubon, did the sudden snap of a bird-laden limb quicken your pulse? Could you remain calm during forty-mile walks despite unexpected rumblings in dense brush, elephantine in girth, instilling fear in flocks? Many shed feathers that carpeted growth. What were you made of then? Hopefully stalwart, peppered with a curiosity I lacked when, heart in reed-thin throat, John James, I panicked, rushing in circles known, clearly marked, along a one-mile path. Loops a small child could walk, eyes closed. Mercy, I have embarrassed myself, but not before I tripped and tumbled over sawdust –pulverized wood, John-- pulp that I feared bears, a mother and cub, no question, would soon make of me. Couldn’t rest until I stood in the open, on concrete surface –a rock hard layer atop earth-- terrifying as a coffin lid if boxed in underground. Which returns me to the vultures I kept a few ungainly flaps ahead of. What I could only hear magnified ten-fold. Xyst be damned. I flew, from where? to? yearning for a safe pathway. Oh, ground me Zenaida Dove in grasslands. Gentle, love. Marauders The male red-tailed hawk fights with its mate over a hare as if the two don’t share eggs in a nest built from twigs and moss in a massive nearby Oak. Fair game, each screamer presumes, that hare hanging in the female’s talons. She won’t give in or up, soft white breast exposed to his prowess. Nest and eggs soon to be found upended, the massive oak felled by a Creole farmer fueled with short-lived revenge. That grand mangeur de poules had swooped down and lifted the farmer’s fattened chicken. Before that, squirrels for stew then their duckling. The farmer must slaughter the hawk else it pluck up Emile, his petit fils. Margo Davis Editor's note: John James Audubon lived a life obsessed with the natural world, especially birds, and his ornithology and artistic work are an important legacy. His life inspired the story of bird conservation efforts, with women at the forefront, starting the Audubon Society in 1905 with that purpose. Audubon was also a slave owner, a morally repugnant act. The Audubon people today do not dismiss this reprehensible fact as a matter of the times, pointing out that many people chose not to participate in slavery, or spoke up for abolition. Learn more about Audubon's life at https://www.audubon.org/. Margo Davis is a poet who loves to photograph. Or is that the reverse? Many of her poems have appeared in The Ekphrastic Review. Both poems and pics were featured at a 2024 artists' exhibit at Buinho Residency in Portugal. A recent poem was featured in Passager and a photo, in Equinox Journal. Her forthcoming poetry collection Uncoupling (Lamar Press), is due out in 2026. Margo barely unpacks before planning her next trip.
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The Ekphrastic Review
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January 2026
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