Forest Song 2 We had decided prehistorically to shake hands heartily a kohl landscape under thick moist that has a portrait liquid sentiment a glass mirror of antique rhythm that smelled of cumin seed biosphere, that has a feeling. Truly, eyes are full of blessings with an art of deeper sense love breastfeeds with milk and honey green olive dreams foster a world, rivers, rains and renaissance. It has logos: words to speak hymns to sing, deity to bless the soil razor-sharp and bohemian buoyant and brimming dopamine to heal the schizophrenia of the dead. Sunrise or sunset: goodwill feeds the time, people and context we witness nature’s nudity cunt: beauty, sperm: life with innuendo of science a canvas of reconciliation grips there’s no fear of death—no fear. An intense geography runs our blood the longitudinal heartbeats kiss a vintage life-size efficacy unbelievably pretty prior and after what goes down the arteries? The waves of history scents the breezes of heliotrope tickles life music, live dance, life pigments the forest songs of soil and salt the forest songs of hope the forest songs of hemoglobin hint a gesture of life to the fullest. Pitambar Naik Pitambar Naik grew up in Odisha in India. He’s an award-winning poet and the author of The Anatomy of Solitude (Hawakal) and a poetry/fiction reader for Remington Review. He’s work forthcoming or published in The Indian Quarterly, New Contrast, Brushfire Literature, Liquid Imagination, Ghost City Review, Eunoia Review, Glass Poetry, Cha, Vayavya, Occulum, Formercactus, Literary Orphan, The Punch Magazine, The World Belongs To Us (Anthology) HarperCollins India among others. Afresh Frankincense is 12-year-old and in Class 7th. He is a child art-prodigy from Odisha and lives in Hyderabad in South India. Though he loves math and science so much, art has a special place in his heart. His work has appeared in Moonchild Magazine, Hindustan Times, Kids 4G and elsewhere.
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February 2025
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