Four Stages of Grief: An Ekphrasis of Rothko's Quartet I. Green and Maroon (1953) A dense, swirling haze whispers sadness, its uneven edges dressed in deception. Beneath, a smaller ardent block simmers silently, bleeding down the frame in rebellion, divided by a sliver of fragile calm-- a mere illusion. The denial of the agony that stews underneath, cannot endure. II. Ochre and Red on Red (1954) You drift in a sea of rage, deep enough to engulf, yet shallow enough for steps. A thin shaving of slippage divides the wading from sinking. Believe me: the deeper you plunge, the more you float. Oppose it, and watch yourself be engulfed, like paper claimed by fire. III. Green and Tangerine on Red (1956) In the heart of the divide tangerine embers smolder and midnight emerald fog looms overhead, thick with unspoken vows. This liminal space eludes negotiation. You cannot control the uncontrollable, nor make sense of the senseless. Instead, venture into the dark clouds; discover their surprising translucence. IV. Orange and Red on Red (1957) Coral fades into crimson on scarlet, as numbness deepens into withdrawal, spiraling into despair. Layer upon layer, a climax of weight. You selected your sunset, painted in the hues of your culminating act— prematurely, time severed. Now, we must navigate acceptance of a journey interrupted before reaching its final stage. A.R. Williams A.R. Williams is a poet living in Virginia's Shenandoah Valley (USA). He is the editor of East Ridge Review and author of A Funeral in the Wild (Kelsay Books, 2024).
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The Ekphrastic Review
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December 2024
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