Harlequin’s Carnival at the Joan Miro exhibit, NYC Into the mute music I went, my eyes became my ears. Waltzing the welcome, room to rediscovered room, each canvas a ladder to an eclipse, a mountain’s black triangle beside the swirling red joy-path, & inside, the festival: a guitar as an infant sees it, & beneath the sky’s tracery, blue-black eyes spiring within circles, sporadic birds that dot & dovetail what might be birds, & better than paint tucking lovers in a night sky, without gravity. How can the sky not be entire, this conscious blue the seed of my dreaming? Maximilian Heinegg Maximilian Heinegg's work has appeared in 32 Poems, Thrush, Nimrod, The Cortland Review, and Glass: Poets Resist, among others. He has been nominated for the Pushcart Prize, Best of the Net, won the Sidney Lanier Poetry Award, and been a finalist for the poetry prizes of Crab Creek Review, Cutthroat, Twyckenham Notes, December Magazine, Rougarou Journal, and Asheville Poetry Review. He is a high school English teacher, as well as a singer-songwriter whose records can be heard at www.maxheinegg.com
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December 2024
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