I Am Become the News of the Day
Imagine a dancer spinning, spinning, until the white chalk at her burning feet spools itself into a thread and coils out from her throat like the snaked coils of a sun-fired pot in which a cobra might or might not be sleeping-- Now say that the chalk was newsprint; the coils, words, black ink spilled in thin lines and banner fonts along a plane reaching corner to corner, bleeding almost off the edge, which is to say, the world-- And those words, spiraling out by centrifugal force, are not words only, but time; and not any time, but now: this moment, this, this, this, spooling fast as a reporter can file her version of the story or the dancer can spot and pull her body around and around and around-- And if you could still a single instant from this motion, capture it unblurred so that even some of the coiled-snake words-- damage, maybe, or crossroad, or even free--were legible, if not intelligible, wouldn’t it look like this? With a magnifier you might read a clue to the crossword, or the fine strands of the dancer’s hair-- Is she not Atlas, bearing the flattened weight of this moment’s map, which is to say, of the world as we know it now, and now, and now? See: how ink and paper-whiteness have spread like pox over her young face, yoked as she is like an ox to the plow of the current, or a planet orbited by rings of water and ash-- Her lips are set, her red-rimmed eyes look out—to what? What future allows such burdens? The weight of it, of paper. Hannah Silverstein Hannah Silverstein lives in Vermont. Her writing has appeared in Si Señor, The New Guard, and SWWIM Every Day.
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October 2024
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