Laurel, a Ghazal Hanc quoque Phoebus amat—Ovid, Metamorphoses Phoebus, you never stopped loving her, did you? Her fingers, her face, still appear in your dreams. You still feel her grasping your fingers; her face flashes before you at night. (How she looked, like an arrow, straight through you, as honesty does.) There are times when you hear how she’d sing, her sweet face all sinless and solemn, not knowing that anyone heard. You recall how serenely she’d touch just your cheek or your forehead, and finger your face as softly as flakes of a winter’s first snow. And remember how mornings, her kisses would taste like the springtime itself? As you lingered, you’d face her and wonder at something so perfect: the magical curve of her waist; the delicate hairs on the back of her neck—and your hunger effaced every thought but to love her. Ten centuries later, her limbs reaching skyward, she stands with her toes rooted deep by a slow, backwards stream, where her face is concealed by branches and shadows. After she left there were others-- Dryope, Stilbe—but soon they discovered you couldn’t stop bringing her face back to mind, and wondering how is it going to end? You still visit the vale to gather the leaves for your wreaths, and keep thinking her face might appear, but it doesn’t. At sunset, the wind turns the fragrance of laurel from memory into eternity. Vesper now blinks. Turn your face from the chasm of Tempe and think of how love never fades. Just as years leave their traces on trees, with their permanent rings, you’re enfaced. Timothy Sandefur Timothy Sandefur is an attorney and author in Phoenix, Arizona. His book of poems, Some Notes on the Silence, was published by Kelsay Books. Other poems in The Ekphrastic Review: Louis Sullivan: https://www.ekphrastic.net/the-ekphrastic-review/louis-sullivan-by-timothy-sandefur Casey Baugh: https://www.ekphrastic.net/the-ekphrastic-review/new-york-city-haiku-by-timothy-sandefur
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The Ekphrastic Review
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March 2025
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