Missing Artist Found in the Railyard This poem was inspired by the artist, her story, and by Transmission Session, 2022: (scroll down to last painting) https://2022.rca.ac.uk/students/sarah-cunningham/ Between the first and third vertebrae, where the tracks switch, allowing passage to another direction. Loud drone like someone pressing a piano pedal, sostenuto silencing her pale flesh. A transmission to once gold fields now brown, where catkins catch reeds from river channels, where cows had given up a future pasture. Her youth convinced us to imagine knifepricks, a righteousness, though her website lacquered best practices, hundreds interviewed on meaningful connections. Her paintbrush demanded smoothness, yet she rough- brushed, captive to the linen canvas. Perhaps a lilac beard of the past spring snuck into the final landscape, with steps of green and ivy walls-- a southerly climate? Italy with swollen afternoon windows shuttered, seeping through the cracks, streaks of carmen. Laurel Benjamin Laurel Benjamin's new collection, Flowers on a Train, is forthcoming from Sheila-Na-Gig Editions. She is a San Francisco Bay Area poet, active with the Women’s Poetry Salon. She curates Ekphrastic Writers and is a reader for Common Ground Review. Current publications: Pirene's Fountain, Lily Poetry Review, Cider Press Review, Taos Journal of Poetry, Mom Egg Review, Gone Lawn, Nixes Mate. She received an Honorable Mention for the Ruben Rose Memorial Poetry Competition. Laurel holds an MFA from Mills College. She invented a secret language with her brother. Find her at: https://www.laurelbenjamin.com
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The Ekphrastic Review
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April 2025
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