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My Atheist Weeps for Adam and Eve (upon seeing Rodin’s The Hand of God at the Met) Born full grown in the curve of each other and the great hand that shelters, thrusts them into life, cradled mid earth and heaven before the conjuring breath of God quickens and the green world calls, a sweep of innocence, a spark from the hand, boy and girl, they are flung into life pure and naked in the joy of Eden. (Were these your thoughts, my atheist lover, as you stood and wept, stood in awe and firm in heresy, mourning the lost catechism of youth? The artist fashions beauty as a way to God. Did God, too, make us, to carve truth, beauty, love? Is heaven merely a simple place where one can see the other—naked, undefended, true? Is that god enough for you?) In that first pulse of time, out of the void, a single light exploded, infusing sparks of dust with potency. And all was good, as God breathed life into the quivering clay that claws its way from earth to heaven. In Eden then, the two lived quite alone to walk the blissful garden delighting in their solitary curve of love; unshod, unclothed, and unashamed, calling to each other from the hushed gold shade. And God thought, “It is good that I have carved them in the palm of my hand, charging them to make a garden down the long millennia, carving out the mysteries of stars and atoms, life’s core, until the end of time. But cutting through the pure white days, there came the fall from grace, not sin but doubt, clothed in fear, like past lovers cowering in their separateness. “Who told you you were naked!” thundered God. Before the fall they had been one, their legacy to us a sense of loss unending. And you, my tearful lover, whose face I carry all the day behind my eyes; in the curve of whose hands I am complete; for whom beauty is the only god; let us create an Eden of truth and trust. Let us not be clothed in fear or doubt. I hold you in the curve of my heart. The future calls. Suzanne Yuskiw Suzanne Yuskiw has taught English and Creative Writing in Virginia and Maryland, and has dabbled in confessional poetry for decades. Her other passion is writing and producing short plays in her current location of Aiken, South Carolina. She is often impressed by the profound psychological relevance of ancient texts and archetypes, finding them worthy subjects for modern poetry.
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January 2026
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