My Wife's Lovers Though I am happily married, I must confess I have fallen deeply in love with one Robert C. Johnson who is deeply in love with his wife, Kate Birdsall Johnson who is deeply in love with her dozens of lovers all of whom live together in perfect harmony or so the story goes. And who wouldn’t love a man so devoted to his mate he minds not a whit that she fritters away her livelong days and starry starry nights being adored by so many suitors he can barely keep track of them? All those lusty lovers coming and going as they please which so pleases Mrs. Kate Birdsall Johnson that perhaps it is she with whom I am deeply in love. Then again, I could easily and ardently fall for Carl Kahler the artist who gave up 3 years of his life to study Kate’s swanky swains before putting brush to canvas to capture a mere 42 of them which I am counting on this rainy day in Springfield, Massachusetts where the Victorian painting that measures 6 feet by 8 feet and weighs 270 pounds hangs before me at the Museum of Fine Arts taking up an entire wall. I stare at the life-size cats, starting with the Mistress’s favorite, the dark and sultry Sultan who sits on his own throne-like box smack dab in the middle of this collection of kittens and cats, his open-wide emerald eyes glaring at me and daring me to come one step closer so he can swat me on the nose with his one white paw. His white ruff is ruffled as though he and Mrs. J. just had a lovely tussle and now she is off somewhere outside the painting composing herself. But wait—it is not husband or wife or painter I pine for, it is the proud and noble Sultan himself, or any one of his 41 angora adversaries: the lone black beauty off to his left, whose yellow eyes glow like two distant planets in a midnight sky, the tiniest white snowball of a kitten hissing behind him, one pink ear pinned back, the ginger-tailed fluffy Persian purring at his feet about to bat about a fallen butterfly. I sit among this kingdom of cats for a good hour until the museum’s closing bell rings and you appear with a grin on your face and a present from the gift shop: the very last print of the painting rolled under your arm which makes me love you even more than my own green-eyed lover waiting at home, her food bowl empty, her litter box full. Lesléa Newman Lesléa Newman has received poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation and is a former poet laureate of Northampton, MA. Her poetry books include the dual memoir-in-verse, I Carry My Mother and I Wish My Father, and the novel-in-verse, October Mourning: A Song for Matthew Shepard. In addition to being a poet, she is a passionate cat-lover.
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December 2024
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