O Ye, All Ye That Walk in Willowwood Three women gather around a well. They look like they are made of smoke. They look like they are disappearing. Light drains from their eyes. Beaded ropes swing down from their hair, pliant as willow boughs. Oh, willow, willow, Desdemona sings before her lover smothers her. Oh, willow willow, for the tree that’s lost its lover and so has lost its way. Careful, careful, the women seem to say. You might vanish too. The artist chose a witchy green palette for her water. She makes her women captives. She makes a spell of longing. I used to think the women lonely. I used to think loss might drown me. Only today, I saw them as a coven, not bereft, nor dangerous, but bound by the magic that holds this cracked-up world together. Some people call it love. Some people call it holy. Magin LaSov Gregg Magin LaSov Gregg lives in a slightly haunted house in Frederick, Maryland. She’s an emerging poet and finds great joy in Tiferet Journal’s spiritual poetry workshops, where this ekphrastic work began. Her writing has appeared in The Washington Post, National Public Radio, and the dearly departed Gettysburg Review. Her memoir-in-essays An Altar in My Heart is an Autumn House Press two-time Nonfiction Book Prize Finalist. Magin enjoys singing and dancing with her young son, making their garden bloom, and immersing herself in the artwork of Margaret Macdonald Mackintosh.
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January 2025
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