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Perhaps I am Iconoclast Iconic—so overworked, that word. And yet I cannot take my eyes off her: Mary, pure and holy maid of Nazareth from two thousand years ago. We halo her with angelwings, with golden crowns and diadems, with doves of peace and blessing, with swans of faithfulness. Why do we so distance her? Then we bury her in coffins full of wilted roses, weeping. O, why should we half conceal her? Brown eyes rest calmly on us. They do not glance away or close. Never besmirched is her blue attire. She marks the heart of history, the crossroads of all time when one mighty beam—the Light—broke over us to bear a gravity far greater yet less strong—the throng of churning humankind: dying weight of all the world on one Son’s humble shoulders. Once her young arms would lullaby Him against the day when she would yearn for Him as He was taken, suffering for us. So, please, gaze up again! For here’s a truth: this icon is just a teenage mother with a deeply loving heart, with sleeves rolled back to serve us, every one. As she cared for Him, she watches over us. Search for her on meanest streets where no flowers bloom to bless, where no white birds shall rest. Lizzie Ballagher One of the winners in Ireland’s 2024 Fingal Poetry Festival Competition and in 2022’s Poetry on the Lake, Lizzie Ballagher focuses on landscapes, both psychological and natural. She was a Pushcart nominee with Nine Muses Press in 2018. Having studied in England, Ireland, and the USA, she worked in education and publishing. Her poems have appeared in print and online in all corners of the English-speaking world. Find her blog at https://lizzieballagherpoetry.wordpress.com/
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April 2026
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