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Prélude à l'Après-Midi d'un Faune (in loving memory of Amanda) 1. Bequeath me your acorn-amulet amid vibrant branches at altitude. Galvanised in your viridian, gossamer- thin Demeter-gown, trailing like absinthe down your thighs. Paradise is not artificial. At Castle Rising, West Norfolk, where your mysterious Oak presides, contemplation is your phantasmagoric premonition tinctured in gold-leaf & silverpoint. Byzantine leaves snagging in your maenad hair; teach me to divide Gaia’s breviary as it continues to pulse in your indefatigable palm. Fingering its carapace as if assaying a crystal; a bursting phallus of light, oracular pulse as we entwine. Let me offer another libation before your comet implodes into a shade of ash. 2. Ace of Cups, be my offertorium, my aerated liturgy. Reddest wine which burbles in its cylindrical verve: voluminous, zest-filled outpouring. Is this a poco paradiso? Intermittent? Turtle doves illuming our solar fellowship? Ent-wise: these limbs as lianas intertwine; so learn your place in the gold-green world, &, Ace of Cups, be our levitation, be our fleshed-out cornucopia before your comet detonates, dear, into that shade of ash. Mark Wilson Mark Wilson has published five poetry collections: Quartet For the End of Time (Editions du Zaporogue, 2011), Passio (Editions du Zaporogue, 2013), The Angel of History (LeakyBoot Press, 2013), Illuminations (Leaky Boot Press, 2016) & Paolo & Francesca in a Colder Climate (Black Herald Press, 2025). He is the author of a verse-drama, One Eucalyptus Seed, about the arrest and incarceration of Ezra Pound after World War Two, as well as a tragi-comedy, Arden. His poems and articles have appeared in: The Black Herald, The Shop, Tears in the Fence, 3:AM Magazine, Anvil Tongue, International Times, The Fiend, Syncopation, Epignosis Quarterly, Mande, Dodging the Rain, The Ekphrastic Review, Enheduanna, Rasputin and Le Zaporogue.
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The Ekphrastic Review
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January 2026
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