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Special Student Showcase: Migrants, by Candido Portinari

12/2/2024

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The work below was written, edited, and selected by high school students under the direction of their teachers Terri Carnell and Elizabeth Jorgensen.

Terri teaches English to juniors and seniors in a traditional high school setting, while Elizabeth works with freshmen through seniors at a charter school that emphasizes leadership, career exploration, and global citizenship. Despite their contrasting teaching environments—both within the same Southeastern Wisconsin county—Terri and Elizabeth collaborated to engage their students in authentic writing thanks to Lorette and The Ekphrastic Review.

Lorette provided four thought-provoking artworks for students to explore and respond to:
  • Migrants by Candido Portinari (Brazil, 1944)
  • Marine Twilight by Antonio Smith (Chile, 1864)
  • Untitled by Ali Rashid (Netherlands, born in Iraq, 2010)
  • Street Dance by Oscar Garcia Rivera (Cuba, 1940)

Each high school student analyzed an art piece, drafted a response, engaged in peer editing, and submitted a polished work to their teacher. Terri and Elizabeth then compiled all 156 pages of student-written pieces (names removed) for the students to review.

Each teacher’s students focused on specific works:
  • Terri’s students read and evaluated pieces inspired by Marine Twilight and Untitled.
  • Elizabeth’s students assessed pieces inspired by Street Dance and Migrants.
After reading, students identified their top five favourites via a Google Form. The five most popular entries—along with additional teacher recommendations—were shared with Lorette for potential publication.

​Following the student ekphrases are student remarks on the process.
Picture
Migrants, by Candido Portinari (Brazil) 1944

​Ghost on Grim’s Trail 
            
Sickly creatures that were no longer humans. Starved. Prey-to-be. A group of white wisps that blew about in the wind. “Mother” clutches its past, something no longer within its possession. The “man” who stares beyond that of which it fears; it is angry, so very furious. It knows who to blame, who put it there, who stole its food. Big bellies were whom the ashes envied for they had bones so sharp that its gray poked through the skin. Hollowed cheeks struggled to form words, no longer able to ask for help. The drought had seeped into their veins, eating away at what was left. Such is the “story” told within Candido Portinari’s Migrant. 
 
A stranded memory that once was a family who traveled the path of death. If not for its lack of flesh, the murder of crows would have feasted. They too have seen the trail that death had blazed, ate with a voracious diet for sad souls. Did the white ashes know they were being stalked? Did they know that their winged cousins were inching closer? 
 
Cannibalism was a virtue. Ignorance was no freedom. Everything was dying or maybe all of it had already died. The ashes blown about should retreat. The crows should give up. The land should sink under. A composition of decadence; efforts were futile and the after-life was already setting up a welcome party. Even the moon had turned away from their pitiful efforts. 
 
This is the life of the unwanted. Too insignificant to be considered human. But who decides who is and who is not a person? Surely the blood in their veins is proof. Who decides who is and who is not a person? The very people that took their lives away.
 
The crows. Look once more at the murder and see that their feathers are rich and deep in their black, they have full stomachs and the strength to fly. Look once more to the elusive creatures gawking at their success. They take and take oh so diligently and yet were still greedy, they see no mercy from up above their skyed view. To them, perhaps, those ugly, white creatures are feed and the crows only pity the things. The creatures too had bellies that didn’t always cry, they once had cheeks that blushed, they once had blood in their veins. 
 
So, sickly creatures, once human. Still human? Starving, hungry yet still alive. With little they have left, it is just enough to beat the crows to death and finish the blazing trail. Let death follow only after victory, let death be but no more than a confirmation that life was fulfilling. Let those sickly creatures be human once more.
 
AJ Holmes
 
**
 
Checkers
 
We have never been lucky. Growing up, we had to constantly move around our country because we could not afford living anymore. Although, this time was different. This time, we were moving for good. Our country was suffering, our village was suffering, and we could not live there anymore. 
 
It was time to pack up our bags and go, but I didn’t own many things. The only thing that I had with me was my favorite checkered shirt, which I was already wearing. My mother said we didn’t have enough time to pack up everything–we were scared and needed to get out.  
 
For days, we walked. The minutes felt like hours, hours felt like days, and days felt like weeks. After three days, we had found a safer place to stay for the night. Everyone was tired, hungry, and in pain—we needed to rest. We needed to find food. 
 
My grandfather struggled to continue on. He had not eaten a meal in nearly four days now, and he had painful blisters and infected wounds on his feet from the rocks and the thorns, because we could not afford shoes. 
 
Nearly 86 years old, he was a modest man and knew his time was coming soon, and he had one last request–playing checkers. 
 
“But how could we play checkers without a checkerboard?” I asked in a quandary.
 
“Give me your shirt, boy.” 
 
And so I did. We gathered some rocks and leaves, and laid my shirt down on the ground. My grandfather chose to be rocks, while I chose to be leaves.
 
We set it up just like a checkerboard and played the best-of-three. In our typical competitive way, my grandfather had won the first game. Then I won the second game. We were tied! This third game determined the ultimate winner…
 
It was getting close but I was doing better. I knew that I would win, but then I remembered why we were playing this game. This was my grandfather’s final request from me. I couldn’t win and let him die losing. So purposefully, I moved the wrong piece, giving him an easy win over me. 
 
He was ecstatic. Joyfully cheering through his coughs, he could now die knowing that he had just won playing his favorite game. It was time to leave this spot and continue on, but we knew we had to leave my grandfather behind. He could not go on and we could not force him to. It was not a safe or smart idea. So, I picked up my checkered shirt off of the ground and put it back on. 
 
Even though it was full of dirt and sand, it had become the thing that I cherished the most. The memories of my grandfather that day were the most important memories that I have. 
 
Isabelle Menden
 
 
**
 
A Cycle of Carnage
 
We are in danger. We need to evacuate. We will perish. My neighbor cried a piercing scream that sent shivers through my fragile bones, echoing through my mind. Time stopped and the air became rotten. Sirens killed any sense of peace that the small town brought. As my family and I rushed to pack our things, a feeling of dread and anxiety hit me like a sledgehammer. As I fell to my knees, I gripped the skin tightly wrapped around my ribs easing some of the pain that passed through me. The world outside our cramped apartment has changed.
 
                        ***
 
We’ve been walking for months. My feet are fractured and torn exposing me to the horrible outside cold. Each step burns. I look down at my feet, frostbitten and black from dirt and blood. I don't know how much more I can handle. 
 
My children are tired and limp along with me silently. Their faces are obscured by their blank stare and matted hair. They barely talk other than the rare cry of pain. My oldest son, once a strong and respected man, now wobbles with each aching step. He carries much of our clothes while grasping at the twigs that my grandson's fingers have become. The youngest has not moved in days, I'm afraid she has grown too tired to continue living.
 
The crows that glide above remind us that we are walking corpses, shadows of what we used to be. As we wander, the haunting caw of these dark nightmares keeps me awake. They swoop and tear flesh from our skin and meat from our bones as I swat at them with a walking staff I had picked up two months into our journey. When they started attacking, it felt like a giant hangnail peeling off my back while tiny strands of muscle held it from tearing off. Now their bites don't hurt as much like the pinch from a needle. However, my body aches more with each chunk of my life taken from me.
 
We are headed West. As the sun paints the sky orange and pink, we confirm our direction. In the distant future, a sanctum of flourishing trees, lively people, and guardian hawks awaits us—a place where we will finally be safe from the terror and pain that this walk has brought upon us.
 
                        ***
We arrive but there is no sanctum. The lively people have been torn to skin and bone. The hawks have fled I assume to somewhere safe. The trees feast on the decomposing bodies that I once considered my saviors. I collapse to my knees once again with my family surrounding me as I see the beast that has caused this cycle of carnage.
 
Charlie Platten
 
**
 
A Day in the Life  
 
Len’s Journal                                                                                                              March, 1846
 
Day 1:
 
Today is the day. Mom and Dad said we are packing up and heading West. I don’t really know why but they say it will be good for us—something about manifest destiny? Packing didn’t take long—I don’t have much to take with me. My grandpa seems kind of worried about our upcoming journey, but my sisters were nothing but excited. I am sad to be leaving, I don’t know when I will be seeing all my friends again and we have to leave our dog behind. It is weird seeing everyone else gathering together and ready to leave. Why is everyone leaving? We are positioned just past half the way back in the line, only wagons separating us. 
 
That's all for today.
-Len   
 
Day 2:
 
I am nothing but excited. I am having so much fun on the trail, playing tag with my sisters and running around the others. My parents seem to be happy too, we only got yelled at once today about having too much confidence, but my grandparents still seem somber. There's only a few other kids on the trail with us, most of them teenagers, but they seem nice enough. The food we packed was really good today, I ate until my stomach hurt! 
 
Check in soon!
-Len
 
Day 7:
 
Today marks one week on the trail. I think it's going well, but I'm starting to get bored. I wonder how much longer we have left? It's starting to smell, we haven't seen a river in a while. My legs are hurting from all the walking, but mom says the wagon is already moaning under all the wait. 
 
Later.
-Len
 
Day 12:
 
Today was not good. I got into a fight with my sister and my dad made me walk behind the wagon in silence. And to make things worse it started to storm today. The BANG of the thunder scares me everytime. Not to mention I'm sick of this food. I just want a homemade meal again. My grandma seems weird today, but I'm not so sure why.
 
I hope tomorrow is better. 
-Len          
 
Day 17:
It was finally sunny today. The weather is starting to get warmer too, but that means mosquitos and flies. I think people are becoming ill. Coughing is surrounding the wagons like a cloud, but it shouldn’t be a big deal. I saw my first deer on the trail today which was fun! One of the older men at the front of the line diligently got him for us and we had a good meal finally!
 
Things are starting to look better!
-Len
 
Day 43: 
Today was bad. An older woman died today. They say it was from disease so now we are all scared to death. Everyone gathered to bury her but my grandparents stayed in the wagon. 
 
Next time.
-Len 
 
Day 82: 
I don’t know what to do. Grandma died today. Grandpa is distraught. That makes it 22 total to die on the journey. Why are we doing this? I saw a buffalo today. My grandma would have liked that. 
 
R.I.P.
-Len
 
Day 117:
 
It is soooooo hot. My clothes are a home to sweat. I have been starving lately, we really only eat once a day. Dad says we are almost there but I don’t really trust him. My sister broke her arm a few days ago. My mom made her a splint but I can tell she is in pain. 
 
My birthday is soon!
-Len 
 
Day 143: 
 
My birthday was terrible. I awoke to another dead traveler. This time a younger boy, close in age to me. I didn’t get any gifts as we didn’t have anything in our wagon. I really hope we are close. This is such a nightmare. 
 
Day 182:
 
Finally! We made it! My dad says we are way West. I wonder how far—we have been walking for a long time. It is really nice here, lots of land—my dad says that is good for us. We found a new town we are going to stay in for a while. I'm still thinking if this was worth it. I guess we will see. 
 
Until next time.
-Len  
 
Alec Behringer
 
**
 
Genesis
 
We do not know what is yet to come,
for we’ve been through so much in the past few days.
Scorching heat, dehydration, hunger.
The tight pulling sensation of my pale skin on my brittle bones.
The smell of my daughter’s hair, encased in dirt and grime. 
The feeling of the unsympathetic sun, burning our faces, arms, and bodies. 
 
My father, Alejandro.
My brother, Andrés.
My wife, Lucia.
My daughters, Emilia and Lola.
My sons, Carmen, Gabriel and Antonio.
And me, Alvaro.
 
We do not know specifically where we are going, but we knew 
we needed to get out, escape, 
not only for myself but for my children, so they can have a life past the 
age of twelve. We do not know how the people from the “land of the free”
will react to us, pale, scrawny, and worn.
 
The people from the “land of the free” who take pride in their country, who
wave their flags on the street as soldiers march by.
The people from the “land of the free” who don’t fear being attacked in the
middle of the night.
The people from the “land of the free” who have clean water.
The “land of the free” where my children will be able to get an education. 
The “land of the free” where my children can have a future.
 
We only have a short time left of this life before we can become one of the
​people of the “land of the free.”
On the brink of death but the cusp of freedom. 
We can only aspire for the best.
For this, this is our genesis.

Sawyer West-Toebe
 
**
 
The Travelers 
 
The nine of us stand in a bunch,
looking into the distance.
The air sad, filled with sorrow.
Our stomachs growl with hunger,
but we refuse to eat.
We continue on, to a better life,
a better future, a better hereafter, 
for our kids.
So they don't have to feel this again,
the emptiness. The feeling of the hot air.
Feeling like we are suffocating. 
Like we are being tied back, 
like someone is holding us back,
from finding the end of the tunnel. 
The nine of us stare into the distance,
watching as the dust goes by,
waiting for a new beginning.
To start over,
to feel at home again.
 
Audrey Gottschalk

**
 
Migration
 
Migration…
Cracked feet drag through mysterious pathways,
skeletal bodies lean on branches of hope.
Dark weary eyes search through paint, clawing out of frame.
 
Migration…
Generations look to each other for guidance,
the desire for better is hydrating.
It helps cool the skin from the dry heat.
 
Migration… 
Birds flock overhead, anticipating the next drop,
the next failure, the next death. 
Hope withers, flying like dust through the air.
 
Migration…
There is no option of turning back,
feet have carried their fatigued bodies for too long.
Bodies race, competing with factors beyond control.
 
Migration…
Hope that can both save and kill,
hope that is as dangerous as it is healing.
Hope is migration.
 
Zaela Schlissel
 
**
 
La Esperanza
 
Bloodshot eyes and pronounced ribs.
Food is so far.
Bliss even farther.
But hope is here now.
Hope is the last crumb of bread spared for my empty stomach.
Hope is brother’s hat shading my eyes, papa’s tunic covering my figure.
Because these shaded eyes see forward; 
leaving behind what was and whirling towards what will be. 
What was fades behind me with each hobbling step I take,
our icy village just remnants of a memory, replaced by endless sand.
I covet what will be—but I ache for what I have now.
Losing what I have is losing everything. 
No matter the riches; tear-shaped diamonds cannot rectify their sacrifices. 
Pobrecito niño. 
 
Mason Long
 
**

Here’s what students said about the ekphrastic experience:
  • This helped me not only look deeper into the paintings themselves but also create a story that goes along with the deeper meaning of the piece.
  • Before this project on ekphrastic poetry, I had never heard of this style of writing. It was a great experience and opportunity to try something new. The art pieces provided by The Ekphrastic Review provoked a lot of emotion and I had a fun time trying to tell the story of the people in the paintings. 
  • I enjoyed reading everyone's pieces. I was able to see the different perspectives that people saw in the paintings. This experience aligns with the mission of KM Global by sharing a Global Perspective and learning new things. This was a great experience to learn something new and see many different perspectives.
  • When we read the student pieces, I saw how much effort everyone put into their pieces. It was cool hearing about how personally connected some of the students were to the artwork and how the author had a story from family or experiences that connected to the artwork. 
  • Reading other students’ entries helped me reflect on what I could’ve and should’ve done better in my piece. I chose my top five by focusing on parts that I enjoyed hearing, related to, and found interesting, with differing writing styles and effects.
  • I think that doing this was a lot of fun. I enjoyed writing my poem and getting to read others. 
  • I would like the editor to know I appreciate her taking the time for our school and the hard effort everyone gave.
  • It was fun reading the entries just to see what people did with the picture that was presented to them. I chose my top five by just listening and seeing which ones caught my attention and which ones didn't. I hope that the readers like all the pieces that were chosen. 
  • This experience was very fun and fit the mission of KM Global by letting the student choose how they want to complete the assignment.
  • It was something that had never crossed my mind before. Writing about a piece of art? But I learned so much. I found myself scouring the painting for hidden details. I found myself appreciating the beauty of the art piece. I found myself amazed. 
  • I chose my top five based on the love I felt in the piece. I felt as though my piece didn't have nearly as much passion flowing through it. I hope in the future to add more spirit into my pieces.
  • I want Lorette to know that I really appreciated this opportunity she has given to us and that I will now analyze the art deeper rather than just glancing at it.
  • I want readers to know that experiences or ideas can create incredible stories. You are always able to be creative!
  • I grew in my analysis of art pieces and creating creative stories from pieces of artwork as inspiration. 
  • The art that I wrote about was Street Dance and I had a fun time looking deeper into the art. I usually look at a piece and move on. Now I had to look back and back to find every detail, and understand what it meant. For the art piece, I looked into what the context was, and how culture affected the dance. 
  • For The Ekphrastic Review, I wrote my poem about Untitled. I learned how to accurately and smoothly write about artwork, giving the art hidden meaning, and noticing things that most others would not. Reading the pieces was fun. I chose my top five based on a combination of how much effort the writer put into it and by how personally moving it was for me. Reading the other pieces, I learned that everyone has a different mind, and everyone depicted a unique story from their mind's eye.
  • This exercise helped us as high school students value a new perspective and practice innovation. 
  • Whether or not my work gets published, I will feel accomplished, as I put time and effort into my poem, and no matter what, I love my piece and I had a great time with my classmates. I would do it again in a heartbeat.
  • This was a really neat experience that helped teach me how to write through the lens of art. It also taught me how to think outside the box when it comes to the perspective of the piece. I can write as though I am the crows in the sky, the waves of the ocean, or even as an outside source. This experience helped me grow my creativity while being a fun and engaging activity as well.  
  • I found it really fun! I love writing for a purpose like a publication. I put so much work into mine, I know I didn't get top five or teacher recommendation but I enjoyed learning what I can improve on. I think this collaboration with Lorette is something we should continue as it taught me so much from reading the other work. Picking my top five was hard so I always went with the most memorable. Many pieces were very memorable to me. But it made an easy five. 
  • I want to thank you for the chance to show our work and give us a fun challenge to compete against others and write a piece that is concise yet has meaning.
  • I am thankful for the opportunity to create and share ideas to gain new perspectives and enjoy the process of writing.
  • Thank you for the opportunity to express and show my creativity through my writing. I don’t often get chances to show how I can make compelling stories from something as simple as a painting  so this was a great way for me to show that.
  • I loved the opportunity to share a story through pieces of art. While writing this piece, I liked the freedom that we were given to choose how we could craft our own stories or relive memories that inspired the path that I would choose to write about. 


 

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