Where Do You Go? Where do you go when you go to the movies? Here, the cut-off screen won’t tell you which film the audience is watching. Maybe you will fall in love with one of the actors, gasp, laugh or cry because the images feel real as real. Where do you go if you don’t like the film? Or if it’s not about the film, but that you are on a date in this opulent cave of a setting? Don’t sit down in those empty seats; not yet. There’s so much more to explore in this painting. Besides, more seats wait for you if you take the stairs beckoning in sultry light, behind the velvet curtains. First consider the usherette, the real star of the painting. Where has she gone under those three lights, chin propped in her hand? Look at her in her military uniform her blond hair matching the mottled yellows on the wall, and that shadow dripping below the triumvirate of lights, touching her shoulder. Oh, of course we know she is Hopper’s wife, and their marital quarrels are no secret. He criticizes her, and she gets back at him writing cryptic comments on his sketches. Things like the doorway goes in like a tomb. Did he ask her to wear her sexiest shoes? Or was that her idea? Is that all she’s allowed of the glamour and fame she imagines in her dreams? If you sit in the comfort of one of these theatre seats, illusion arranged around you, tell me, where do you go? How are you going to tell her story? How does it draw out your own? Kitty Jospé Kitty Jospé has authored five books and her work has appeared in numerous local and national journals. Bilingual in French/English, (MA French Literature, NYU; worked in Belgium for the International Council of Societies of Industrial Design) she retired from teaching French in 2006 to pursue an MFA (Pacific University, OR). She gives tours in both languages as docent at the Memorial Art Gallery; lectures on language and art as tools for deeper understanding and offers weekly poetry appreciation courses at the public library since February 2008.
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September 2024
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