A big congratulations to our finalists, winners, and everyone who entered the Art of Tarot contest in poetry or flash fiction. It has been amazing to see how the themes and symbols in the game of Tarot have evolved and continue to speak today. A giant thank you to our judges, Riham Adly, for flash fiction, and Roula-Maria Dib, for poetry. Both judges read the submissions blindly and chose their top ten, top three, and the winning work. First place winner in poetry and in flash fiction will receive a $100 prize. Well done everyone! Lorette, The Ekphrastic Review (Click here for flash fiction finalists and winners.) ** Winning Poem: The Devil, by Shaun R. Pankoski (winning poem) Top Three The Magician, by Michał Choiński A Conversation Upon Drawing the Hanged Man, by Kimberly Hall The Devil, by Shaun R. Pankoski (winning poem) Ten Finalists The Hermit, by Jakob Brønnum "The Magician, by Michał Choiński III Empress of the Universe, by Calder Clare Wheel! Of! Fortune!! by Calder Clare Hang Nine Swords Above my Bed, by Gabby Gilliam A Conversation Upon Drawing the Hanged Man, by Kimberly Hall A Conversation Upon Drawing the Tower, by Kimberly Hall Magician, by Lynne Kemen The Hanged Man, by Lisa Molina The Devil, by Shaun R. Pankoski (winning poem) Winning Poem! The Devil What is it about desire? That familiar tug, so urgent, so seductive, pulling you closer to your lodestone. It could be power you seek, or prestige, or possessions, or that which is most mystifying- the precious Other. When you finally get your taste and it's not quite what you imagined or it's taken away or you need more and more and more- seduction turns into obsession. You forget about your own fruit, your own fire. And you certainly don't need a horned goat, of wild eye and protruding tongue to know the value of what you've lost. Shaun R. Pankoski Shaun R. Pankoski lives in Volcano on the Island of Hawai'i with her cat, Kiko and more coqui frogs than she cares to mention. Her two most treasured possessions are handwritten thank you notes from Lois-Ann Yamanaka and the late Barry Lopez. She has kicked cancer's ass (twice) and makes a mean corn chowder. The Magician You fidget with the syllables as you button up your shirt. In your mouth, they sound like a spell. Gra-nu-lo-cy-to-sis. You repeat it three more times, before we leave – each time the inflection is lower. Outside the building, it's starting to snow. Michał Choiński Michał Choiński (he/his/him) teaches American literature at the Jagiellonian University (Kraków, Poland). He has written two academic books - his latest monograph, Southern Hyperboles came out with LSU Press in 2020. Choiński's debut pamphlet Gifts Without Wrapping was published by Hedgehog Press in 2019. His poems and translations of poetry were published in journals in Poland, in the UK and in Canada. In 2022, he'll be at Yale University, as a Fulbright Fellow, writing his next book. Kimberly Hall Kimberly Hall (she/her) received her master’s degree in behavioral science from the University of Houston-Clear Lake. Her poetry has appeared in online publications such as First Flight and Sappho’s Torque, as well as in several ekphrastic poetry anthologies. She still gets the idiomatic butterflies whenever anyone mentions that where she can hear it. ** Finalists in Alphabetical Order The Hermit The great beyond, all contained in hands folded in prayer. “Memento mori” everything whispers. When you have been alone for a long enough time the difference is marginal between your head and the skull that wound up on your desk, a medieval artefact But then again, one is never totally alone. It is more about the feeling of being alone and the lack of voices in the room dead silence The great beyond is destination and destiny there, this soul is to be found that once was lost If it can be reached at all, it must be through this silence. That is what the mystics say. Then probably there is a Christ in the room somewhere. But is it that crucifix that’ll make you shout until your prayer dries out? Or is it the spirit, in the silence, in the folded hands in directing the attention via Memento mori towards the great beyond, towards which all hope flows, destiny and destination. There, healing could be to be found, there, remembrance, there, the bastions of loneliness that brought you here in the first place a meaningfulness now so thoroughly lacking a connection to yourself now plain lost in this vast void of quietude. It began as a force and wound up forced. Jakob Brønnum Jakob Brønnum has published 40+ books in his native Danish. His work has appeared in The Ekphastic Review, La Piccioletta Barca, Beyond Words Literary Magazine and Line Breaks (Cover Story Books), as well as in magazines and anthologies in the Nordic languages. His books have been translated into Norwegian and Serbian (forthcoming). He lives in Sweden with his family. WHEEL! OF! FORTUNE!! Jeopardized by booze and stag-do rental shoes he traverses bowling alley lot, falls, strikes head, blinks sixpoint stars then drives, canopied by astral projections. Crossing himself all the way home. His dress: torn. His heels: stolen. Goy adrift among the chosen. L’chaim. Truth is stranger than crucifixion, the divide between eons atomic ten-pin neon, iodine knees, threefingerhole Fates still endorse target sports, threadwork non sequiturs, secateurs at the ready. Spare prick at the wedding. Cut and uncut guttering balls in the days of emanation. Cosmos and chaos and lane transmigration. Sefirot screaming the unsayable name of their crossdressing G-d. Calder Clare Calder Clare lives and writes. ** Empress of the Universe Every night with back to wall he skies the stars, smokes out the day. Mood stabilizers triangulate apostate positions. Thesis: dispersal. Immaculate Conception Feast falls a week before his birthday. Abased by faith he deems the Virgin schtupped by Cosmic Rooftop Sniper. Alpha shotgun wedding. Antithesis: God is pi rounded down. Triple-threatened he evicts all former tenets tented on the Holy Tripod Corporation Pater, Poltergeist, & Son. Synthesis: none. He thinks a woman would have done a better job of Astral Autocrat but takes his losses well. Stays on the trail of broader gods like any doleful infidel. Calder Clare Calder Clare lives and writes. ** Hang Nine Swords Above My Bed I worry I can no longer keep you safe. Independence warring with youth, trying to respect widening boundaries but my dreams reveal my stifled anxiety there you lead elementary students in an echo of your old patrol post down to the bus stop a chaotic rush because everyone is beyond late there is a sharp squeal of brakes and tires a wordless scream then everyone is running there is a body in the street a crowd crouches around it unintelligible shouts carried away by the rush of panic sirens growing louder I crane my neck as I usher frightened children to the idling bus shielding us all from the spectacle in the road but I still catch a glimpse of a chicken nugget backpack maroon fleece pants a discarded sneaker painted with flames and I can’t tell if I’m going to vomit or scream until the rawness of my throat robs me of voice and I can’t speak your name I can’t move closer relying on the denial that since I haven’t seen your face it could be another mother’s son a neighbour’s tragedy instead of my shattered heart bleeding out on the pavement. Gabby Gilliam Gabby Gilliam lives in the DC metro area with her husband and son. Her poetry has most recently appeared in Tofu Ink, The Ekphrastic Review, Pure Slush, Deep Overstock, Vermillion, MacQueen’s Quinterly, and Equinox. You can find her online at gabbygilliam.squarespace.com or on Facebook at www.facebook.com/GabbyGilliamAuthor. Kimberly Hall Kimberly Hall (she/her) received her master’s degree in behavioral science from the University of Houston-Clear Lake. Her poetry has appeared in online publications such as First Flight and Sappho’s Torque, as well as in several ekphrastic poetry anthologies. She still gets the idiomatic butterflies whenever anyone mentions that where she can hear it. Magician, by Remedios Varo (Mexico, b. Spain) 1956 In the plaza, he pirouettes, juggling, glittering mysteries. Balls of light traditional, rings untouched. Enlightenment, lit up orbs. The man, a mysterious specimen. A traveling show, a waste of time passing confederates tucked away. Ashen acolytes peer, anxiously, wary, wearing a single cloth. Appearing in an identical piece, looking longer, faces sad, mad, and fearless. Like the acolytes, the woman alights the stage, unawake. The magician, credulous, doves dart and owls observe. Goat devil prances, yellow-slitted pupils, looking at the magic man lying like the lion. Trickery, fakery, fraud. Lynne Kemen Lynne Kemen lives in Upstate New York. Her chapbook, More Than a Handful was published in 2020. She is published in The Ekphrastic Review, Silver Birch Press, Fresh Words Magazine, Lothlorien Poetry Journal, and Blue Mountain Review. Lynne stands on the Board of Bright Hill Press. She is an Editor for the Blue Mountain Review and a lifetime member of The Southern Collective Experience. Her book, Crows Fly at Midnight, will be published in 2023. The Hanged Man He mocks me today. It is the 15th anniversary of the day we learned the cancer had returned to our eleven year old son’s blood after five years of being cancer-free. He was pronounced fully “cured” just three months before. We were told a relapse this late only occurs once or twice a year; in the entire country. This is the day our lives turned upside-down. Again. The prognosis much worse this time. Life hanging in the balance. Again. *** Two years of life-threatening treatments, and a complicated, unrelated double umbilical cord transplant later; My son survived. Again. *** I decide I will not look away this time from “The Hanged Man.” I will face him, even though he brings memories of Pain. Suffering. Grief. We stare at one another. Who will blink? *** What’s this? I see now that the corded rope around his ankle that holds him from crashing to the ground, is red, like blood. Just as my son’s life was saved when an unknown couple donated their newborn baby’s umbilical cord blood to be transplanted into my son’s bone marrow. The cord which also holds him from falling to his death. I can see the blood of The Hanged Man’s rope being pulled by gravity down into his leg and chest, filling them with life. And his hair! It has grown, and flows long and white, touching the ground; Just as my son’s hair now sticks straight up out of his head. I see cut branches with blood at their tips all around The Hanged Man, much like the hundreds of IV tubes that infused blood into my son when the chemo destroyed all of his blood cells through years of treatments. *** This Hanged Man is alive and well. Held faithfully by the rope of new life. With hope. And now he is able to envision and comprehend how, one’s life being turned upside down allows you to see the brightness and beauty of the green grass and solid ground. And that, in this upside down world, sometimes, the blue sky can catch even those who fall. *** The Hanged Man isn’t mocking or haunting me. He blinks, winks, three times: My son: The Hanged Man. My son: The Saved Man. My son: The Changed Man. Lisa Molina Lisa Molina is a 2022 “Best of the Net” nominee for poetr. Her digital chapbook, Don’t Fall in Love with Sisyphus, launched in February 2022, by Fahmidan Publishing, and her first print chapbook, Womb Worlds, is currently available for pre-sale at Finishing Line Press. Molina’s poetry, creative nonfiction, and fiction can be found or is forthcoming in The Ekphrastic Review, Sky Island Journal, Beyond Words Magazine, Bright Flash Literary Review, POETiCA REViEW, and Miniskirt Magazine.
1 Comment
Shaun Pankoski
12/20/2022 06:37:03 pm
Thank you so much, Lorette, Riham and Roula-Maria! Also Carol Tahir for giving me a push!
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