About Suffering Henry Clay Frick before Vermeer's Officer and Laughing Girl Since childhood I haven't suffered in the flesh save eyestrain from hunching over a ledger in light dimmed to conserve oil. Sleep stopped my eyes' burning. I was happy when you were born. But now I'm forgetting your life, have only things: a quilt's singed corner, a once-worn dress, and a shuttlecock's gray feathers. Awkward, posed pictures recall memories of your sick bed, Easter services, a September lawn game. Only in memory survives the image of you coughing up blood. There your bones ratchet beneath barely-concealing skin. Speechless doctors watch. In their breaths, I hear she'll on the inhale. On the exhale, die. She'll die. She'll die. I believe you are seen by those who glimpse beyond this world to make art with scenes alive in God’s world, like this laughing girl the age you would be now. Vermeer set her where windowed sunlight gestures to the room's vanishing point. She rises from the shadows of her dress. The officer's profile hints at facial hair. If he turned to face me, I'd see his beard creep from where there is no skin, half his face only skull, jagged where teeth meet bone. You smile because this is beautiful to you, but your—that girl’s—her perspective hurts me. You weren't meant to reach her age, so I offer you enchanted smiles like this girl's, stretching for light beyond this window pane. Gary Leising Gary Leising is the author of the book, The Alp at the End of My Street, from Brick Road Poetry Press (2014). He has also published three poetry chapbooks: The Girl with the JAKE Tattoo (Two of Cups Press, 2015), Temple of Bones (Finishing Line Press, 2013), and Fastened to a Dying Animal (Pudding House, 2010) He lives in Clinton, New York, with his wife and two sons, where he teaches creative writing and poetry as a professor of English.
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December 2024
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