After Francesca Woodman’s then at one point I did not need to translate the notes; they went directly to my hands, Providence, Rhode Island, 1976 Then I was younger than you Less formed less cohered If you can call playing with shards At the edge coherence ever I lived on the edge too No frame yet for the shards No name for them Or billfold to help the unraveling That would have given me a Start at knowing anything Never mind who i was To myself I imagine crouching like that Your hands on the grooves of a dead wall Your back to the world An obvious admission No question about where you were What did people think When they saw you Over and over The star of your own demise Crucified on a doorframe In pieces Obscured Bisected? Such terrible fatal ardor For what? Everyone pondering shadows and light Their awful intersections Brilliant absence That was your mind Without for a moment considering Flesh and blood and angst That would lead you Small i Already decapitated Out a window. Arya F. Jenkins This poem was written after Francesca Woodman's Then at one point I did not need to translate the notes; they went directly to my hands, Providence, 1976. Click here to view. Read more of Arya's TER ekphrases here and here. Arya F. Jenkins is a Colombian-American poet and writer whose poems have appeared in many journals and zines, most recently Hawaii Pacific Review, Jerry Jazz Musician, and OyeDrum Magazine. Her poetry has been nominated for the Pushcart Prize and has been widely anthologized. She has also published poetry reviews in Cleaver Magazine, Cider Press Review, Rhino Poetry, The Poetry Cafe and Vol. 1 Brooklyn. In 2021, her poem “Ruin” was selected as a finalist for the Derick Burleson Poetry Prize by Choeofpleirn Press. She is the author of four poetry chapbooks, a short story collection, Blue Songs in an Open Key (Fomite Press, 2018), and a novel, Punk Disco Bohemian (NineStar Press, 2021).
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October 2024
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