After Harold Gilman Tea in a Bedsitter 1916 The room is an underwater grotto where we two women tout a sham harmony. Our glances glissando past a chair, spare for a hero gone. Nessa delves. Scavenger fish, she nuzzles my loss. Sea anemone, fronds aflutter, fingering for crumbs. My turned-away back provokes. Nudges blossom to a gull’s scissor-stabs, guzzling dead snapper. Kettle hiss, memory of waves splashing, leaping at bare legs as the man we both desired twirled me at the water’s edge. White tongues, myriad as stars, love’s vows, drenching till, dropping behind a dune, we shared strawberries, salt kisses, flesh. Rocking in the suck and swell, a tern’s limp body, shattered pledge of safe return. Wrecked hull poking from the sand, abandoned hope. Her words crowd in on me, fish shoaling, silver-scavenging my silence; nip toes, tickles sharpening to needle barbs. I daydream a cat, on a cushion before a log-coddled fire, curled in on itself like a woman’s longings. Tail aflicker, it sniffs our offerings. Milk on our granny’s saucer, porcelain, Venetian blue. Chicken breast, diced fine. Vain lures to tempt it to a lap. My dress strains, tightens. Hints my heart would hide, cradle, precious gems. Rubies. Pearls. Calcified tears. Pratibha Castle Pratibha Castle has been involved in creative endeavours since a young child, dancing, sing, and playing the piano. Trained as a classical singer, she formed a folk duo in the early 70s. A mother, holistic therapist, facilitator for women’s healing and meditation, her mother’s death inspired her to return to writing in her 50s when she received a first-class honours degree in Creative Writing, continuing with a CW Masters. She is published in print and online and been recognised in numerous poetry competitions. Her award-winning debut pamphlet A Triptych of Birds and A Few Loose Feathers published 2022 will be followed by a second book, depicting 60s Notting Hill and India.
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December 2024
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