After studying Chagall’s painting The Birthday, the Overachiever decides to write a stinking love poem to best Chagall and the clichéd new love painted bold black forest green blinding beige and red orange the hues so bright the sun pales his weightless body accents how he’s the first to discover the feel of love eating the heart from the inside insatiable breath every move colored by the texture of a lace collar shoes with no tread marks passion like a small animal clawing smitten he floats disembodied and grotesque his neck swiveled 270 degrees like a Tawny owl touching beak to lips his love’s fish-eye opens wide projecting the hemisphere of love on the bourgeoisie rug hung on the wall to keep cold away from the bed he hoots about the birthday flowers and raspberries picked in the morning clouds to crown the curd cake they're too busy to eat hunger for food irrelevant and disgusting the overachiever smears their canvas with better metaphors for a passion almost two decades old love that grew heavy to meet the earth and roll in understanding and obligations frenzied movement and surprise morphed into habitual consideration the business of established eros gradations of black and white the value of seeing a kaleidoscope with mostly rose quartz crystals the kind of love that can tromp in a field full of ticks and pull them off one by one waiting for the winter freeze Sandra L. Faulkner Faulkner researches, teaches, and writes about close relationships in NW Ohio where she knits, runs, and writes poetry about her feminist middle-aged rage. Her poetry appears in places like Writer’s Resist, Literary Mama, Ithaca Lit, and Gulf Stream. She lives with her partner, their warrior girl, and three rescue mutts. https://www.sandrafaulkner.online/
1 Comment
Deale
9/27/2023 09:09:33 am
Love this poem. The imagry is as powerful as the painting. Chagall is one of my favorities.
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