Agnes Martin (1912-2004) on the exhibition at the Guggenheim Museum, New York, New York, October 7, 2016 – January 11, 2017 martin The white paint is not about the colour, she said, It’s about the beauty mottled serene movement still. The yellow. The yellow and the peach. The yellow. It’s not about the colour. Peach. Gray green gray many, many quadrants unconfined. She said she thought she might retire. How could she? She could not. Did she die? She did not. The discipline of white paint the rules ghost graphite the exquisite geometric fold. Neither the brush nor the pencil nor the punctuation. middle Friendship gold leaf and gesso on canvas The Tree sand oil and graphite on canvas The Rose gray green gray acrylic, graphite, and colored pencil on canvas Grass ocean Stedelijk Museum, Amsterdam no photographs gift gift gift gift later The Islands I-XII (1979) Whitney Museum of Art Whites All but one last Agnes Martin 2004 Untitled The choice of watery gray clouds white unbroken, more or less, in two broad bands smear rain gray coming-- At first I thought she was saying it’s over beauty is leaving, but no, the straight graphite line, the dripping paint on purpose the lines smeared on purpose the lines true blurs smears blue. Michael Carman Michael Carman is a poet, writer, and teacher. Her second chapbook, The Not, was a finalist in the Finishing Line Press New Women’s Voices Competition; her first chapbook, You in Translation, was published by Toadlily Press in An Uncommon Accord. Her poems, narrative nonfiction, and reviews have appeared in Spillway, Rattapallax, The Same, Lumina, and other publications. Michael has taught poetry at Sing Sing prison and in various community programs for Poets & Writers in New York City. She teaches poetry and writing to art and design students at Fashion Institute of Technology/SUNY in Manhattan.
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September 2024
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