Ain Sakhri Lovers “considered to be 11,000 years old and to be the oldest known representation of two people engaged in sexual intercourse” Wikipedia Legs locked like arms in embrace. Each head seen from the side a mushroom shape like your secret self squeezed in your grip about to contract and release its own gravity. Hands on a pinchpot fingers coaxing a drinking vessel a soup bowl a shallow dish in which one dips driest bread to an edible softness. Edible softness being what we want from everything. These stone lovers chipped in stone with stone after the artisan ate antelope meat pried from the jaws of the hound-hunt. How was he to know before he left the pair in a puddle cave that thousands would see or fail to notice his work amid thousands of artefacts? Here are the things that made sense of the world—hieroglyphs unlocked and panopticons sorted like shards by size and colour dumped from an unscrewed kaleidoscope. What wonders of the world blaze in any museum that we push past in the crowded guide buzz and camera hum hurrying home or to a hotel where alone or with another we embrace or ignore our own bodies ashamed of words like cock or cunt or come the parts we squeeze or prise only in the dark the parts we wish would last past ourselves past the dark freed of glass-grim museum casement. Gary Leising Gary Leising is the author of the book, The Alp at the End of My Street, from Brick Road Poetry Press (2014). He has also published three poetry chapbooks: The Girl with the JAKE Tattoo (Two of Cups Press, 2015), Temple of Bones (Finishing Line Press, 2013), and Fastened to a Dying Animal (Pudding House, 2010) He lives in Clinton, New York, with his wife and two sons, where he teaches creative writing and poetry as a professor of English.
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September 2024
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