Artemisia Note: an Italian Baroque painter, Artemisia is considered one of the most accomplished seventeenth-century artists. I have taken the morning to read about myself by reading about Artemisia Gentileschi, and the graveyards of airplanes in deserts, airplanes that still try to take off with any semblance of wind, and could Artemisia have sold herself on talent alone? yes absolutely yes but then talent is constrained in order to be whatever it is that turns the pages of history, of commerce, a woman is banished in her own way, it is unique to each of us, and I think of her paintings in museum stillness separated as they have been from her touch, four hundred years to think themselves over in the eyes of strangers remarking about the boldness of colour, the weight of shadow, and Artemisia never saw an airplane, at least not in the air, and since I have seen both: her paintings, the airplanes, does that make me someone who could explain anything? No; you see, when I take something in for the first time, I am an ancient single-celled thing, lust of senses, something of colour or form, lapis lazuli or second wing, as Artemisia said, never has anyone found in my paintings a repetition of invention, not even a single hand and in finding nothing else to relate this to, I turn to memory, which isn’t a thing at all but like a painting witnesses me where I stand and I lift a little from my shoes on that air, on that body. Hannah Larrabee Hannah Larrabee’s collection, Wonder Tissue, won the 2018 Airlie Press Poetry Prize and was nominated for a Massachusetts Book Award. She has a new chapbook of epistolary poems to Pierre Teilhard de Chardin out from Nixes Mate Press. Hannah's written poetry for the James Webb Space Telescope program at NASA Goddard, and she'll be sailing around Svalbard in the Arctic Circle with artists and scientists in the fall of 2021. She reads for Bomb Cyclone, a journal of ecopoetics. hannahlarrabee.com
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September 2024
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