Brash Shocking Beastly Use of Colour
The eyes of Greta and Amelie stare from seated portraits by Matisse French minions did accept wife Amelie’s outrageous hat plumed in fashion’s most egregious statement with wild feathers burying her forehead after Gertrude Stein and family paid Matisse thus spurring Parisians to come and take a look His Amelie backed by streaks of green yellow pink red blue purple smudges tilts her face above demure-held fan curved colours smudged below her chin and held in black-gloved hand Dob of yellow on her nose even some above her lip set the artworld afire and embarrassed Amelie Her gaze reflected hours of posing and was her hair in real life that deep dark red Did he bring goblets of water or remove her weighty hat after those dark colours were outlined in black Above Greta Moll’s straight-on student face there’s a fan of upswept brown hair above her broach Did she find the three ten-hour stints of posing tedious Her teacher changed colors of the garments several times blouse from lavender to green until his eye found harmony although Greta thought he made her arms too plump Matisse said they balanced out which she accepted later Some still disagree to whom she left her portrait when wartime fled her into Wales The Nazis never did take the painting London has Greta but grandchildren want her back War has more than corpses. Somber eyes announce confusion amid the gist of museum logic Even Matisse said his wife of course was really wearing black One by one additions multiply hide divide bold brushstrokes as the oils dry Mary Ellen Talley Mary Ellen Talley’s poems have recently been published in Peacock Journal and Kaleidoscope as well as in the anthology, Raising Lilly Ledbetter Women Poets Occupy the Workspace. Mary Ellen worked for many years with words and children as a Speech-Language Pathologist (SLP) in Seattle public schools.
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October 2024
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