Bright & Infinite this evening you drive across the bridge tunnel like you have your whole life, away from home or toward it, face hanging out of the window like a dog lapping up air, your nose and cheeks wet with tears. did you choose this water or did it choose you? gulls swarm above the waves, dive bombing for bait. on your skin, on the windows, their fevered pitch echoes. if it’s true this city is sinking into a meteor’s crater formed some 35 million years ago in the mouth of the Chesapeake Bay, why don’t people believe it more? instinct or foolishness, the gulls chase desire to the death, to the point of being swallowed. you’re paralyzed in front of photographs of blown off mountain tops, or people up to their waists in water—an unthinkable, vanishing beauty. you discover the word solastalgia, origins in solace and desolation, in other words a deep sadness for a world irreversibly altered-- knowing your city ranks second only to New Orleans, two sea level rise hotspots, you eye angry waves staining the legs of the bridge, licking the concrete belly of the beast carrying you toward thunder- storms. as a child you walked into the mouth of the ocean, swam far enough out, your periphery—bright and infinite—kicking madly against fear, against a giant body that could consume you-- Sarah McCall Sarah McCall worked for many years as both English teacher and bartender, and is currently an MFA candidate in poetry at Old Dominion University. Her writing has appeared in several journals including Whurk, The Quotable, Barely South Review, and Jet Fuel Review. She and her husband and their two dogs live in Norfolk, VA.
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The Ekphrastic Review
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March 2025
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