Buddha I repeat a mantra. It vanishes like windswept feathers. All I hear is the violet drum of hearts. Once I was a river, raging beyond the gorge, finding only driftwood. Now I stand beneath a large Buddha, perched on an urban throne, legs folded in poised contemplation. Pilgrims buzz around his granite smile, small curves insinuating discreet joy. He glances down in satisfied equanimity, commanding the Gallery as if it were a hilltop monastery. Does he know this is Chicago where even stone lions roar? Tourists gawk, eager to catch a drop of clarity cascading from an eye between his brows, to seize a sprout of divine wisdom, flaming from his sea shell curls. I advance closer, his ear lobes stretching down to greet me, holding harmonies of “Oms.” His right hand harbours the wheel of chakras, extending the lotus of enlightenment. His quiet, graceful magnetism urges me to whisper: “Om muni, muni mahamuni Shakyamuni svaha” Swells of stress slowly dissipate as my spine straightens into stillness. Jocelyn Ajami Jocelyn Ajami is an award-winning painter, filmmaker and poet. She turned to writing poetry in 2014 as a way of connecting more intimately with issues of social consciousness and cultural awareness. She has been published in several anthologies of prize winning poems. Born and raised in Caracas, Venezuela, she speaks five languages. She resides in Chicago, Illinois, where she is presently working on a book of ekphrastic poetry.
0 Comments
Your comment will be posted after it is approved.
Leave a Reply. |
The Ekphrastic Review
COOKIES/PRIVACY
This site uses cookies to deliver your best navigation experience this time and next. Continuing here means you consent to cookies. Thank you. Join us on Facebook:
September 2024
|