Damned Vile Race The silver-maned baritone can never sing this air since he has never understood why what we love dies, why his constant headache won’t subside like a wave of strings as he finds his daggered daughter cast to the muck so he cries out so he cries out not for mercy but a tone he’s chased through this cosmos of auroral curtains, through these blinding hemispheres whose thunder falls on his ears like a sentence’s song the Virtues composed in a key they’ve long forsaken. If woman be fickle it is the curse of being human, being subject to a duke’s dominion over all a baleful gaze surveys from a barouche and if this squire be cruel it is the curse of knowledge he can’t escape he can’t escape his vanity and urges, his tenor’s privilege to duel with gods who have no need of courage to face a sudden end, to accept the shockwaves of applause for man’s capacity to tolerate awareness of cadenza of cadenza the baritone alone can deliver from off stage as he removes his costume to burn it in the wings where he flies to the bosom of today, a country free of tyranny, of timpani, of composer’s time out of time so he cries out so he cries out George Guida This poem was written in response to a painting by Andrey Shishkin (Russia, 2013). We regret we were unable to contact the painter for permission, and so have included a scene from the opera on which the painting was based. You can view the artwork here. George Guida is the author of seven books, including four collections of poems, most recently Pugilistic (WordTech Editions) and The Sleeping Gulf (Bordighera Press).
0 Comments
Your comment will be posted after it is approved.
Leave a Reply. |
The Ekphrastic Review
COOKIES/PRIVACY
This site uses cookies to deliver your best navigation experience this time and next. Continuing here means you consent to cookies. Thank you. Join us on Facebook:
September 2024
|