Debris The day after my mother-in-law’s funeral we collected all the paintings from her studio and damp basement, the thank you card from Irving Berlin, her sketchbook for The Birdland murals displayed for sixteen days at the Smithsonian (now owned by a private collector) crated them for shipping to California where we stacked them in rented storage That’s when I imagined some extent of all the art not saved at the Uffizi, the Getty, the Kamakura And now, I can’t get the image out of my mind: dried paint chipping, the spread of mold pockmarks, velour paper edges fraying, canvas rips, a gradual flaking into sand, then dust sifting down to be layered over by debris of another generation always the shifting sand like a dust storm Luanne Castle This poem first appeared in Luanne Castle's book, Doll God (Aldrich Press, 2015.) Luanne Castle's Kin Types (Finishing Line Press), a chapbook of poetry and flash nonfiction, was a finalist for the 2018 Eric Hoffer Award. Her first poetry collection, Doll God, winner of the 2015 New Mexico-Arizona Book Award, was published by Aldrich Press. A Pushcart nominee, she studied at the University of California, Riverside (PhD); Western Michigan University (MFA); and Stanford University. Her writing has appeared in Copper Nickel, TAB, The American Journal of Poetry, Glass: A Journal of Poetry, Verse Daily, Broad Street, Lunch Ticket, Grist, River Teeth, and other journals.
3 Comments
Cheryl Capaldo Traylor
5/23/2019 01:04:22 pm
Luanne is such a talented poet. I love all of her work, but this poem really stands out, remains with me. It’s haunting, but in a beautiful way.
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Clare Pooley
5/23/2019 06:24:07 pm
Luanne's poems are so good!
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5/23/2019 08:14:57 pm
Luanne Castle has such an evocative way of writing her poems. I am drawn into the aftermath "scenery," observing the actions of persons past, as well as being affected by the author herself. Incredibly unique and fascinating history of her mother-in-law's legacy woven into this one!
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September 2024
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