colours of time - a misinterpretation this is how time passes in my mind. it’s skewed and stained with hues with jagged lines that run through the middle splintering my mind. I measure the hours in colour and I spend eternities trying to figure out if I am real or not. if I am here or not. do I exist outside the fortifications of my mind? moments are counted in stains. time stops when I’m open and my insides are pouring out. time is too far away in yellow. my friend in oregon cannot be reached by my bare, outstretched hand, for the sun has disappeared ever since her sister left. how will she read the shadows on her garden clock? the blue closes over my head. time is in seconds and I have learned that I cannot breathe while that clock is ticking. green is the clock here. emerald trees line the looming cliffs; the kind of time that will forever climb higher than those mountains. it all gets away from me and that, I cannot help. I am merely a passenger on this train until my clock begins to unwind. the finality of it all is that these clocks will turn black as the days become the past. my memories will be strung up on lines, displayed for all to see. if only someone would pick them up and read them, they could see the times of my life. caitlin grace mowry caitlin is a high school student living in utah after moving from the east coast two years ago. her poems typically tie into her personal life and the challenges she has faced. writing gives her a way to see her thoughts on a page and express them more clearly. caitlin has never entered a poetry contest before and is looking for a chance to share her work with more people than just her small class of writing students. ** Rose Becoming Limb and Thorn The background somehow seems the muse for moment loved you dared not lose descending from recurring thought as melody that must be taught to colors dancing, dark and bright, engaging discord and delight in movements that from mind to brush, unhurried, recreated rush of impulse given studied grace suspended in its captive space for other eyes to orchestrate as symphony to celebrate such beauty so begotten born to rose becoming limb and thorn. Portly Bard Portly Bard: Old man. Ekphrastic fan. Prefers to craft with sole intent of verse becoming complement... ...and by such homage being lent... ideally also compliment. ** What His Delirium Disclosed: Smudged constellations and sooty bruising in rose mist colliding fisted sutures with flicked graffiti, on which he’d scribbled shivering thatch strokes, adrift crescendos of syllables all a-clattering like pearls latched to bamboo saplings, shards to thorned patches, chants to restless tunnels of throat-- which he shuttered but (taunting lightning from his mind’s turret’s den) then detonated into gusts of clustered, cycloning zones. D. R. James D. R. James has taught college writing, literature, and peace-making for 35 years and lives in the woods near Saugatuck, Michigan. Poems and prose have appeared in a variety of journals and anthologies, his latest of eight poetry collections are If god were gentle (Dos Madres Press) and Surreal Expulsion (The Poetry Box), and a microchapbook All Her Jazz is free and downloadable-for-folding at the Origami Poems Project. www.amazon.com/author/drjamesauthorpage ** On The Inside The circles are in such a tangle it’s impossible to explore them impossible to see what’s inside impossible to plumb their depths the coloured threads of a life intertwined. So I’m left with the outside which is much simpler much clearer much duller less colourful and yet still incomprehensible. Sometimes even when things are straightened and appear clear I can’t make sense of them can’t manage to join the dots and the dashes and the tangles are more beautiful which seems to be important. The colourful threads of a life intertwined round and round on the inside of my head. Lynn White Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. She was shortlisted in the Theatre Cloud War Poetry for Today competition and has been nominated for a Pushcart Prize and a Rhysling Award. Her poetry has appeared in many publications including: Apogee, Firewords, Vagabond Press, Light Journal and So It Goes Journal. Find Lynn at: https://lynnwhitepoetry.blogspot.com and https://www.facebook.com/Lynn-White-Poetry-1603675983213077/ ** Cirque du Soleil Sunrise clambers new, energized flirting on wires suspended sprawling hung from urban sky luminous spectacle eaten in fire dazzling galaxies juggling cycling burning in circles bodies curled in balls of flame fluid as oceans rolling tumbling fusion of motion tones unfold in hoops of tempo regular rhythm rotating gyrating limbs swinging freely Kate Young Kate Young lives in Kent with her husband and has been passionate about poetry and literature since childhood. After retiring, she has returned to writing and has had success with poems published in Great Britain and internationally. She is presently editing her work for an anthology and enjoying responding to ekphrastic challenges. Alongside poetry, Kate enjoys art, dance and playing her growing collection of guitars and ukuleles! ** Conduits They told me, stay out of the power line corridor, protected by rows of electrified, barbed wire. But the linear geometry is beautiful simplicity. The metal, as conduit for hyperactive electrons, welcomes insects to participate in brief, bursting firework displays. I cannot stand forever, admiring a swamp, bathed in bug repellent. Like a fire-wall for information, through air, or in wires, something nasty is bound to get through, sting, and infect. Jordan Trethewey Jordan Trethewey is a writer and editor living in Fredericton, New Brunswick, Canada. Some of his work found a home here, and in other online and print publications such as Burning House Press, Visual Verse, CarpeArte Journal and Califragile. His poetry has also been translated in Vietnamese and Farsi. To see more of his work go to: https://jordantretheweywriter.wordpress.com ** Brainstorms A survey in 2013 showed that 65% of Americans believe humans use only 10% of our brains. From MRI technology, we now know this is a myth. MedicalNewsToday.com Aha moments arrive like lightning bolts just as you’d expect from firing neurons. Yet most thoughts bounce randomly by like tumbleweeds or balls of yarn batted out from under the sofa by a cat. Only you don’t knit. Do you own a cat? When you sleep, your brain works overtime and expects more genius from you. Sends messages in Mandarin characters. Requires you to interpret the calligraphy of ten blackbirds perched on a power line. Hands you a mic and pushes you on stage – only you don’t know the play, can’t sing, and haven’t prepared for a TED Talk. You can’t even explain why Winnie-the-Pooh shows up at sessions of Congress. You need sleep for good health, so why won’t the brain dim the lights and hum ommmm? Alarie Tennille Alarie Tennille graduated from the University of Virginia in the first class admitting women. She’s now lived more than half her life in Kansas City, where she serves on the Emeritus Board of The Writers Place. Her latest poetry book, Waking on the Moon, contains many poems first published by The Ekphrastic Review. Please visit her at alariepoet.com. ** Free You might run in circles, dog-like, but I find I like your pink background, Miro, it sends me skyward—I’m rocketed past those little ink-dots, (stars perhaps?) while other paths are being formed—These large black marks are challenges to meet, (the ultimate right way of seeing things, perhaps). Painted circular blooms are inventions. (Mother would be proud.) I feel the air on my skin, my limbs are weightless. Ah, sweet pink, you give me the space I need-- Those medium-sized inky blobs are works in progress, buds ready to burst. Shall I hitch myself to existing orbits or lay down ties for new rails? Surrounded by so much ink I can’t fail. (Lovely representations!) Once as a child, I stood before the lilac tree, squinting into the sun. Uncle snapped pictures, made predictions about me. I think I’ve surpassed them… I’m out in the pink! I may go outside the frame. Or perhaps dig deeper down, go into the pink behind that blue bloom on the left. Oh look! Here’s the Morning Star! Carole Mertz Carole Mertz is writing cento poems. She has recent work at Dreamers Creative Writing, Eclectica, Muddy River Poetry Review, Page & Spine, Voices on the Wind, and Into the Void. Carole lives with her husband in Parma, Ohio where she teaches classical music. ** Irrational Colours in a circle. Stars here and there a pink sky-- dawn’s daily hope suffusing all. However, brushed in black, over all, irrational pi looms-- chaos of man’s base nature centered, large, overbearing, marks the orderly natural scene, takes the spotlight. Yet, hope remains, for though pi’s sudden strike of bold black stroke now dominates, it does not blot out life’s circles, sky’s stars dawn’s hope. Joan Leotta Joan Leotta has been playing with words on page and stage since childhood. She loves to write ekphrastic poetry. Many of her poems have been featured here and on Visual Verse, and at the Ashmolean Museum (Oxford, England). She also writes stories, poems, essays, and novels that often feature food, family, and strong women. ** The Way You Conduct Yourself Hammers fall, klaxons sound, and cacophony reigns. Fireworks blaze, consuming anyone who encounters your tantrums and the score behind them. Ken Gierke Ken Gierke is a retired truck driver who enjoys kayaking and photography, but writing poetry brings him the most satisfaction. Primarily free verse and haiku, his poetry has appeared at Ekphrastic Review, Vita Brevis, and Eunoia Review, as well as at Tuck Magazine, and can be seen on his blog: https://rivrvlogr.wordpress.com. ** Outside the Circles Outside the circles lies a pink that is background, the colour of blood when it touches water, the colour of my life along the beach. For years I denied it—too feminine, too vulnerable. Just look at the man coming out of the surf with machete to strike the foot of a woman. She has nothing to balance. One arm shorter than the other, the pole to walk her tightrope falling to the ground. Even it passes through red. Gather the circles of gold as stars. Have the top red be the sun as it descends into bay. Have the bottom one sweep the man out to sea. Kyle Laws Kyle Laws is based out of the Arts Alliance Studios Community in Pueblo, CO where she directs Line/Circle: Women Poets in Performance. Her collections include Ride the Pink Horse (Stubborn Mule Press), Faces of Fishing Creek (Middle Creek Publishing), So Bright to Blind (Five Oaks Press), and Wildwood (Lummox Press). With six nominations for a Pushcart Prize, her poems and essays have appeared in magazines and anthologies in the U.S., U.K., and Canada. She is the editor and publisher of Casa de Cinco Hermanas Press. ** Dreaming Hors du Cercle with a quote from Joan Miró a double-trunk, pi-shaped tree, a bird singing on its branch, halting Chinese brushstrokes Throughout the time I am working on a canvas, I can feel… circles of tangled yarn—blue, lavender, green, a shaky man on stilts holding a thin bow, bent arrow at the ready, a black stripe of sidewalk …how I am beginning to love it… a curious little boy not imprisoned in some invented label gazing at a line of chattering grackles …with that love, with that love which is born… a ladder connecting earth with sky, eight-pointed stars, planets spinning off into a pink universe outside the circle …of slow comprehension. Sandi Stromberg Sandi Stromberg loves the challenges presented by The Ekphrastic Review. They combine two of her favorite activities: delving into art from all periods and writing poetry. She was recently named a finalist in Public Poetry’s 2019 nation-wide, themed contest ENOUGH. Other recent publications/acceptances include the Houston Chronicle and San Antonio Express-News, The Ekphrastic Review Challenges, and the 2020 Texas Poetry Calendar. ** Out of Questions The end or the beginning-- can either be defined? Can we tell where we stand on the wheel that spins from here to there and back again? Where do we draw the line? Is potential the same as being? Is it merely possibility or is it death, waiting to begin? Is the seed part of the space between fire and flood? And if the heart beats but the synapses remain dark, is that existence? Does life consist of blood and veins, or thought and mystery? Is this tunnel of light part of the mind’s illusion, or a path of no return that mirrors the exit from the womb? How do we make room for what isn’t there? If we draw a circle around our questions, do we create an answer? or only a symbol for nothing? Kerfe Roig Kerfe Roig finds the work of Joan Miro both playful and mysterious. You can see more of her creations, often in response to the work of others, on her website http://kerferoig.com/ or on her blogs https://methodtwomadness.wordpress.com/ (with her friend Nina) and https://kblog.blog/ ** Until Three Astérisks Sparkle Outside The Circles Here. Prostrate at crepuscular. Eyes open. Pupils dilated. Unconscious automatism oozing through the ether evoking abstracts in the ceiling superficial voids on the surface: spirals circles blotches scarring tiny forms in empty spaces camouflaged as pareidolia. Under the existence of transcendental pi arced once round the diameter: bold black matte serrated empty plains empty horizons. Celestial symbolism, bare. Devoid of perfect motion until three astérisks sparkle outside the circles at seven minutes passed midnight with all light eroded when black is as white. Tones are as colours. Impressions have departed. Expressions have returned: vacant abstract obtuse here. Alun Robert Born in Scotland of Irish lineage, Alun Robert is a prolific creator of lyrical verse achieving success in poetry competitions in Europe and North America. His poems have featured in international literary magazines, anthologies and on the web. He is particularly inspired by ekphrastic challenges. ** Shirley Glubka
Shirley Glubka has just published a new chapbook, Burst Thought Shall Show Its Root: erasure poetry. She's also been guest editor at The Ekphrastic Review and has happily contributed quite a number of ekphrases to the site. To find out more about Shirley's literary adventures, see her website: https://shirleyglubka.weebly.com
5 Comments
6/21/2019 10:29:59 am
I always love reading how the writers interpret the work of art. As this painting was more abstract, I found this entry particularly enjoyable.
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Carole Mertz
6/21/2019 12:56:46 pm
Yes, Janette. And viewing and studying the abstract art made me feel freer. I thought I detected that in others' writings as well. I'm studying more closely how each writer responds. I particularly appreciated the sonnet offered by Portly Bard. Caitlin Grace Mowry's was well done! I also felt on the same wave length with Kyle Laws' piece neatly organized into the triplets. Sandi Stromberg's was so thoughtful! (Here we go--outside the circle, outside the frame!) Kudos to all!
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Sandi Sandi Stromberg
7/13/2019 04:06:41 pm
Thank you, Carole! I admire how you've managed to enter Miró's art.
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Portly Bard
6/23/2019 01:19:32 am
Carole --
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Sylvia Vaughn
7/28/2019 09:45:14 pm
Aha! Alarie Tennille has brought order to this mysterious work of art. I'm glad she pointed out Pooh Bear; I couldn't get past the looming microphone. Beautiful pieces, all!
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