Entering the House of Awe La Grotte Ornée de Pech Merle where 25,000 years ago, someone used moss, coloured ochre, sticks of charcoal, and a herd of spotted horses appeared, galloping across the plains of a cave wall. Working in the flicker of rush light, the artist outlined in black, filled in with brown or red. Always in motion, these ponies thunder across the rock face, fresh as if they were drawn yesterday. Was the painter surprised by what emerged? Would she be amazed to know that they’re still here, cantering in the dark? She ground red ochre to a fine powder with mortar and pestle, then placed her hand on the cold stone, picked up a hollow bone, and blew. What remains is a negative, the opposite of the plaster casts our children brought home from nursery school. The horses are dappled by stenciled dots and finger prints dipped in colour. I think I can hear them snort, feel their grassy breath, and then I realize it’s the touch of your hand brushing mine, or someone blowing pigment in the dark. Barbara Crooker This poem has previously appeared in Some Glad Morning (Pitt Poetry Series, University of Pittsburgh Poetry Press, 2019).
2 Comments
Kate Potter
8/23/2020 06:52:58 pm
It's everything--evocative, provocative, visual and immensely moving. BRAVA!
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Rebecca Ellis
8/24/2020 12:46:22 pm
This poem takes me there and grounds me here at the same time. Wonderful.
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