Two Women The simplicity of line how it carries itself how you can carry it in an instant, a pocket Two women waiting on a bench as at a hairdresser waiting to begin We walk through the white borders of their possible lives Open spaces puzzle no more than their identities: they are all of us reduced to basic line We will meet them tomorrow amid shopping bags and odd hats shoes that barely fit, stockings gone awry And suddenly we will be their pursuers their purse-bearers their pall carriers It was always working in darkness, even on the brightest days at Nathan Philip Square where light glistened on the new skin of sunbathers, it was always working in the darkness of ink. Where does one find light if not in the space behind the page? These lines were shaped for the homeless, traced the shapes of homelessness, felt the pulse of loneliness, which is hardly any pulse at all. A cigarette, an empty purse, a hat misplaced in time. I was riding a train of thought where there were no words but only a hunger and a need to fill it with ink, to flood the bright spaces of the day with dark, innocent, half-formed line. I was the beginning of all those people. Apple Still Life Comes a certain point when it’s hard to care for anything anymore, when lines are just lines, people just empty shapes. How often did Jack reach this point? How often did just looking fail to move? Maybe that’s when he added colour, making the bowl a deep liquid blue, the apple green a tarnished rust after rain. Could he ever tire of looking at apples in a bowl? of making a roundness of their roundness, a space for them to breathe? As long as there are apples and nothing else no empty house surrounding them no footsteps leaving or about to leave for good he must have been ok, he must have been able to turn shapes into colours and colours into shapes and to leave everything else alone My job was to follow the lines of sorrow behind the eighty-year-old face, the face of a young girl. They can see beyond the veil the ink is only another veil broken by spots of light Tom Jones When I was a sailor things weren’t done this way there was somewhere to turn to . . . Dark tones give weight to the feet tell us where they may have gone ask us where we may be going And the open collar, a skin of possibilities: his, just being formed ours, the seemingly foreclosed, newly opened He tells us not to be afraid for all our potential self the smudge is not a warning but a star Mark Silverberg These poems previously appeared in the author's book Believing the Line: The Jack Siegel Poems (Breton Books, 2013).
Mark Silverberg is the author of the Eric Hoffer award-winning ekphrastic poetry collection, Believing the Line: The Jack Siegel Poems (Breton Books, 2013). He lives and teaches at Cape Breton University in the ancestral and unceded territory of the Mi'kmaq People.
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September 2024
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