Cyclist and Crow She seems relaxed. She pedals her Peugeot with sneakered ease—but stares across the field to watch the bird outpacing her. Although she seems relaxed, she pedals her Peugeot not quite as effortlessly as the crow appears to glide; she’s earthbound, though two-wheeled. She seems relaxed—she pedals her Peugeot with sneakered ease—but stares across the field. Swimming Race I know I’ll win. I hit the water first and made a splash—but did I jump the gun, undoing the triumph for which I thirst? Can I still win? I hit the water first, my arms and legs extended in a burst of power—but false starts can’t be undone. I may not win. I hit the water first and made a splash, but did I jump the gun? Woman Carrying Canoe The image isn’t lewd; it doesn’t bare her breasts or bottom. But it bothers me that we don’t see her head—eyes, mouth, and hair. The image isn’t lewd, it doesn’t bare what should be private, but we don’t see where her thoughts unfold—just limbs flexed forcefully. The image isn’t lewd—it doesn’t bare her breasts or bottom—but it bothers me. May Day Uncounted miles from any place she knows, she slumps against her Beetle—stupid car she never should have bought. In dirty clothes, uncounted miles from any place she knows, no phone, no food, she wonders why she chose to make this trip alone. She’s gone too far: uncounted miles from any place she knows. She slumps against her Beetle. Stupid car. Jean L. Kreiling Jean L. Kreiling is the author of three collections of poetry: Shared History (2022), Arts & Letters & Love (2018), and The Truth in Dissonance (2014). Her work has been awarded the Rhina Espaillat Poetry Prize, the Frost Farm Prize, the Able Muse Write Prize, three New England Poetry Club prizes, and the Plymouth Poetry Contest prize, among other honours. An Associate Poetry Editor for Able Muse: A Review of Poetry, Prose & Art, she lives on the coast of Massachusetts.
1 Comment
Nancy Bibbins
2/4/2024 09:30:04 am
Imaginative réflexions, lovely poetry.
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