How to Look at a Painting Start with the jungle greenness of her sleeve. Beneath its sun-splashed canopy sweep up and down the lushness of its canyons. Next, cross her crimson robe knee-deep, like Dante, in a viscous bloody pool. Emerge, slide up her neck to alpenglow, then slip along her flawless cheek to meet her oscillating forehead veil: now creamy streaks, now gossamer transparency. Fathom down, sound each abyss of sorrow: her pupils' downcast symmetry. Rope-up to hike the high white ridge between, you'll intersect the subtle twenty pinks conjoined into the sweetness of her lips. Now scan the plump peach child top to bottom, his little toes will point to where you started: the sheens and green perfusions of her tunic. Go back around, surprise yourself, find unobserved new tints, a niche to ponder. Then step away, allow the parts to fuse – behold a perfect Raphael Madonna. Kenneth Lee Kenneth Lee is a pathologist, practicing in Boston. He is the author of four books of poetry, the latest: Late Revelations, 2017.
2 Comments
Cathy Bennett
12/16/2018 05:16:00 pm
Beautiful poem. I would loved to read printed next to the painting, so I could go back and forth instead of scrolling up and down. Beautiful painting too!
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Camille
12/17/2018 10:50:45 pm
Thank you for this. My Sicilian grandmother had a reproduction of this painting hanging over her TV and I absorbed it throughout my childhood. It's fascinating to read how it strikes someone else without that filter of family memories.
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