Insight With fated accidental bold abstraction he caught my soul on canvas, he who never knew me. I knew him, or knew the painting, never him, unless his soul was there in paint, a scrap at least, arms open, catching mine. I'd never seen the work till then, but recognized myself. A self I'd never seen. Always I'd assumed one chose and settled in—defined— inside the confines of a single life when time enough had passed and all, or almost all, was sorted out. If any art might echo what I chose, it would be subtle, gentle, mild. My life was moderate. But this was daring, brave. Forest green thrust up a clutch of striking reds and vivid tangerines. And was there ever such a brightness, cream and black, to ricochet around a world of paint? Bright cream, bright black, to pull the willing reds and tangerines to vibrant circling over steady forest green. This was, I saw, my soul, or one of them. An early version, or a late, when I had been, or was to be, more than I knew. Shirley Glubka Shirley Glubka is a retired psychotherapist, the author of four poetry collections, a mixed genre collection, and two novels. Her latest poetry collection is Through the Fracture in the I: Erasure Poetry; her most recent novel: The Bright Logic of Wilma Schuh. Shirley lives in Prospect, Maine with her spouse, Virginia Holmes. Website: http://shirleyglubka.weebly.com/ Online poetry at The Ekphrastic Review here; at 2River View here; at The Ghazal Page here; and at Unlost Journal here and here.
1 Comment
3/14/2019 09:09:38 pm
Well done! What a creative angle. Leave it to a psychotherapist to find her soul exposed in Pollock. (I found this one of his most attractive paintings and don't recall seeing before Ms. Glubka shed a new light on it.)
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