Model in Love Later there will be postcards – prints of body parts signed in her own meticulous italic, telling how she misses the warm moulding of his hands, that splash of water when she was only possibility. For this, she is grateful and though she might have hoped for arms (or even a head) she is glad of those pubescent breasts with their dab of nipple, the smooth sweep down to staccato buttocks. There will be time enough to tell him that she has let herself go. From her billowing window she dreams of a cluttered atelier: turps, clay, clatter of wire-cutters, plaster of Paris; misses how he came again and again simply to touch the intelligent slope of her shoulder. Other arms have circled her since. Though lovers pluck her as they might a courgette flower (for taste and decoration) still she knows that a girl must be free to walk as she will – that a pedestal impedes, no matter how tenderly it kisses the stems of her feet. Claire Booker This poem was previously published in Magma. Claire Booker lives ten minutes walk from the sea in Brighton (UK) with her husband and two cats. Her work has been published widely in the UK, including in Ambit, Poetry News, The Rialto, The Spectator and Stand. She blogs at www.bookerplays.co.uk
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The Ekphrastic Review
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December 2024
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