Old Home, Ogunquit, ME
I. Home is where the women wear sleeveless summer dresses. They sprawl on the lawn or lean against the trees, the bench, the frame. Light pours into the painting from wherever you are. The houses are one-sided, dimensionless. The women cast no shadow. The smooth, blank ovals of their faces reflect the light. They could be the same woman in different dresses or no woman in particular. They could belong to anyone, these women. Their summer dresses are long, bright their bare arms long in the long light. II. The light grows long in late summer, leans in the afternoons. The long light slows time, that’s why these women are here. They could belong to anyone these women. Their faces are not forgotten but worn smooth from touching and touching again. They have been lathed by years in the mind. The light changes what it touches, makes it different each time. III. How can I tell you about the light, except that it’s where the women are? I can give you the words but not the light or the way it clasps the sides of the houses. I can’t come to your house on a cold night, pour it into your sleep. Just the women on the lawn, barefoot or sandalled, hands behind their heads or languid in their laps. I can give them to you lying on the grass, dry at the end of summer, pricking their bare arms. They are counting the feathered seeds in the air, the blades of grass on the backs of their necks. Counting the days left in summer, the swallows in the almost-night sky. The mower a block over shuts off, and there are insect noises, music from a passing car. The smell of cut grass, of the earth opening itself to their limbs. The light pours into them like breath. They could belong to anyone, these women on the lawn. It is the end of summer. The grass is dry. It will hold their shape when their bodies are gone. Liz Hutchinson Liz Hutchinson is a writer and gardener living in the North Shore area of Massachusetts. Her first collection of poetry, Animalalia, is available online.
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December 2024
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