Old Maid My friend shouted, discard, discard, pair of cards flashed hands down on the table, punch spurting on her blouse. I couldn't act fast enough, staring at magpies out the window who'd come to pick scraps left from garbagemen. I never wanted to pair up, caught a reflection of bird feathers and instructions for how to spread an attraction fan, and even that I couldn't manage, instead opened my beak to what could be found close to ground. My friend always won with the odd card, called Old Maid, though it was my brother who said the winner was a loser as he ran out the door to play with boys in the street, or did he even grasp why he repeated the winning phrase far from tablecloths and tea pots. Since then, my relationships have depended on not winning, not chanting discard, discard-- even my marriage. My friend and I still play games though we're older--Mille Bornes, The Un-Game, but I don't confess about a figure I've seen crouching in the corner. I'm sure it's waiting to trick us, ghost of what we used to be or what's ahead, doused in a shroud. Maybe it's a magpie. I tell her I read about the bird and how scientists installed tracking devices, yet within hours wiley beaks and claws tore off the constraints. Laurel Benjamin Laurel Benjamin is a San Francisco Bay Area native, where she invented a secret language with her brother. Her work overall holds themes of family and sibling connections, a journey, nature, environment, extinction, curiosity and the idea of actual versus alternate life. There is loss in what is not said, unspoken and connected to, for example, the mother and the idea of mother. She is affiliated with the Bay Area Women’s Poetry Salon and Ekphrastic Writers. She is a reader for Common Ground Review and has featured in the Lily Poetry Review Salon.
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The Ekphrastic Review
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September 2024
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