Paper-Thin Left outside, the flowers keep their colours, and woody-brown leaves surround, as petals face skyward. She admires the shades from above, turns back to the balcony, where useful tools are left about, from left to right, the rakes and spades, embraced by bright white doors, no pottery to catch the flaking paint. She fills a teacup with seeds, kneels to pick some sage and parsley from the slate, inert. Left outside, the old fountain is full of dead leaves, they circle in blinding light, but she knows no water will ripple them back to life, and climbs back in. The house has grown silent since he left, windows still wide open, the pink bougainville he surprised her with, as if to ignore another season. She might leave more dates open in her diary, all of promises behind. How proof turns paper-thin, once spoken later. She picks at the oilcloth on the table, follows the strange wavelets, unearthly colours, and pictures him, riding the bus down Corrientes, where plane trees preserve the turns of a river, a turning of life, now she is left with this hiding house, running down her short nights, the long, long days. Come and contemplate over tea, she will need new curtains and other illusions of change. Kate Copeland Kate Copeland started absorbing books ever since a little lass. Her love for words led her to teaching & translating; her love for art & water to poetry…please find her pieces @The Ekphrastic Review, Poets’ Choice, First Lit.Review-East, Wildfire Words, The Metaworker, The Weekly/Five South, New Feathers, AltPoetryPrompts a.o. Her recent Insta reads: www.instagram.com/kate.copeland.poems/ Over the years, she worked at literary festivals and Breathe-Read-Write-sessions, recent linguistic-poetry workshops were via the IWWG (more workshops in the making). Kate was born @ harbour city and adores housesitting @ the world.
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December 2024
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