Camera Obscura Poised on the headland, a wooden tented circular corridor its mirrored cubicles bringing the outside in with scenes from around the corner; the yellowed green and brown of cliff tops, a busy funnelled harbour, seagulls that clamour and sweep above weathered benches where walkers rest to peer lazily out to sea. Obscured, Edwardian tourists would eagerly spy on bathers cavorting in the sea pools below, or else searched for couples cuddling on summer warmed slopes. Inside, I think of Foucault’s and Bentham’s surveying panopticons and as I move from cubical to cubical and from glass imaged screen to screen, the foot stained wooden floor trembles and persistently creaks. There is a sense of an unwelcome presence, following in the magical and flickering dark. The Morning After A chance meeting, a night together sleeping in holiday cuddles of middle-aged love. With an early breakfast cuppa, she reveals her doubts as he listens as best he can. In the cold light of day, they wonder why they were so eager and at what price they might have to pay. Will it last, was it worth it, should they do it again? The answer is there plain to see, soft fleshy balloons, erect ice cream. It was all just a Freudian dream. Postcard to Home Two young Irish maids, one of many required during summer seasons. Temporary come-overs working in hotels, boarding houses and holiday camps. Some were lucky, considered one of the family, others exploited; laying tables, serving meals, washing up, fetching groceries, looking after children, folding sheets beating carpets, scrubbing floors walking the dogs and emptying piss pots for a pittance. Time off and a postcard home to friends and family provides some solace, searching for one to send. But garish jokes are edgy with misplaced fun not kind to some. Wish you were here. No not for them, Wish we were there. Back home. A Changing Moment Fairy lights and hotel windows cascade along the promenades, their evening summer glow edging the sea-side sand. Couples dance on palace polished floors as orchestras replay their youth. Others gather on crowded deck chairs, sharing their shading shadows to watch a full moon rising. Dark clouds gather, the moment already fading. Holiday Meeting Showing off, the tight trunked boys, come in from the sea and face the girls, who have deftly escaped by leaving their parents in smoky pubs and cake sweet cafés. The trio of girls shyly eye the bathers, until with more lascivious looks the young Romeos will sit with them in promenade shelters, breathing in their heady perfumes to steal an eager kiss. Hiding their teenage fears and the holiday tears to come. Doug Sandle Doug Sandle is a writer, a psychologist and a former university academic. He has been published intermittently over the years, including once sharing a poetry page with Harold Pinter. More recently his poetry has appeared in The New European, The Ekphrastic Review, Poetry and Covid and the anthology The View from Olympia (poems on Olympic sports). He has also written short stories and plays, including a BBC and Radio New Zealand broadcast. He was born and brought up on the Isle of Man.
1 Comment
LINDA MCQUARRIE-BOWERMAN
9/15/2022 02:47:13 am
The human elements you have woven through these poems is beautifully done. Every piece has a story and they took me through a range of emotions as I read ...I have so enjoyed reading all of your work.
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September 2024
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