Portraits of Other Women: John Singer Sargent exhibit, AIC Her russet hair is hidden in the dark folds of window curtain; the long white neck catches the sunlight streaming in below, the deep blue dress velvets her shoulders, waist, and spills upon the floor-- a carpet of Persian red and yellow: Louise Lefevre, 30, in 1882. Mrs. Hammersley, in carmine, wasp-waisted even in heavy felt: how was this portrait ever sold within her lifetime? the slim silk slippers peek out to ask. Evelyn, Mrs. Marshall Field: Before the divorce, before her eyes sank more deeply into the slim face, before late middle age saw her sit with her small spaniel for other painters, she was taken, almost a girl, in charcoal: the angelic head haloed in short blond waves-- Athena’s face, but more serene. The soft gaze sees her future, her left hand, foreground, firmly bent, just touches her heart: The good was never worn out of her. Assured in worldliness from London to Moscow, cheeks as pink as her favorite chair, lips as firm and plush-- her eyes and sharply pointed coronet forbid all gentle thought. Mrs. Swinton, Elizabeth Ebsworth: the cumulo-nimbus of her satin seems more delicately beautiful in the shading and tracery of the wall. Lina Cavalieri is on her way in black with silver fox: She waves happily, late for a Winter tea; you cannot catch her eye-- quick and light as the artist’s brushstrokes on the canvas whose sisters all became sails, taking their summers, as Lina once, on the blue-white Sound. La Carmencita, imperious in her gold pearled dancing dress, the paint as if impastoed by flamenco heels, her chin, at five feet even pointed above us all. A russet sky, the whitened thistles dance before their burning. Gene Fendt Gene Fendt is a poet and a professor of philosophy.
0 Comments
Your comment will be posted after it is approved.
Leave a Reply. |
The Ekphrastic Review
COOKIES/PRIVACY
This site uses cookies to deliver your best navigation experience this time and next. Continuing here means you consent to cookies. Thank you. Join us on Facebook:
January 2025
|