Reflection on a Portrait
It’s been a decade since I photographed a different sky. I picture the hand-held Rolleiflex next to her stomach; their candid progeny of war. The obscenity, a pyrrhic victory developing inside her own darkening room. Light that by keen error revealed a negative gloom, showed black a blinding flash – anecdote, curious heritage – now curls about me, a question on its lips. A view offers me entrance, yet warns me. Hunter, what will you find out there? What do you want to capture? I have no answer, on the right side of the frame; feelings shuttered, hidden. Yet I know that something open begs us to go through, though its limits also beg to be mended and cannot, no more than a dune can be rebuilt from sand the wind has taken. No more than ashes scattered in a herb garden can be found again. I remember shots, speed, still confusion, rounds, clicks in the crowded town, blank faces and shamed-faced beauty, fading rooms of glory. Heinous conditions; hell’s dramatic shadow. The times when I wound on, quickly. Lee Nash Lee Nash lives in France and freelances as an editorial designer for a UK publisher. Her poems have appeared or are forthcoming in print and online journals in the UK, the US and France including The French Literary Review, The Dawntreader, The Lake, Inksweatandtears, Orbis, Sentinel Literary Quarterly, The Interpreter's House, The World Haiku Review, Black Poppy Review and Silver Birch Press. You can find a selection of Lee’s poems at leenashpoetry.com.
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September 2024
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