Rothko Contemplating Suicide
"The reason for my painting large canvases is that I want to be intimate and human." Of all the images imprisoned within, I want to paint the fields of colour, Orange and Tan, which open to warm space like sunflower doors, like reams of light, like folded robes pounded and saffron dyed. Work of the eye is done, said Rilke, now, Go and do heart-work. The brush is only an extension of the hand, sight a mirror of need, as the huge canvas becomes a burden to carry but still, to gaze is something more than to mourn; a childhood plagued by czarist troops slaughtering Jews, a Cossack’s whip striking my face—these forms to be enveloped within; pools of emotion to plunge into / tragedy, ecstasy, doom / as life flows onto the kitchen floor, thin washes of red, the razor slice a soft-edged opening into the last broad intimacy of something I don’t command Virginia Barrett Virginia Barrett’s work has most recently appeared, or is forthcoming in The Writer’s Chronicle, Narrative, Poetry of Resistance (University of Arizona Press), New Mexico Review, and Forage. She received a 2017 writer’s residency grant from the Helene Wurlitzer Foundation of Taos, NM. Her chapbook, Stars By Any Other Name, was a semi-finalist for the Frost Place Chapbook Competition sponsored by Bull City Press, 2017. She holds an MFA in Writing from the University of San Francisco and a MAT in Art from Rhode Island School of Design.
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December 2024
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